Primary Category: Cultural Diversity
Secondary Category: Female Empowerment

Title Variations

1. Redefining Ballet: Celebrating Black Excellence and Inclusive Expression on Centre Stage

2. From Swan Lake to Leopard Tails: Transforming Ballet for Modern, Diverse Communities

3. Embodying Belonging: How Ballethnic Dances Beyond the Margins and Challenges Convention

4. Igniting Movement: Ballet’s Evolution through Culture, Community, and Authenticity

5. Beyond Ballet Traditions: Creating Space for Every Body and Every Story

6. Centre Stage for All: Ballet Without Borders, Barriers, or Stereotypes

7. Rhythms of Inclusion: Blending Ballet, African Dance, and Individual Identity

8. The Power of Dance: Uplifting Marginalised Voices and Reimagining Classical Forms

9. Ballet Unbound: Groundbreaking Journeys in Diversity, Storytelling, and Self-Expression

10. Cultivating Community through Dance: Expanding Ballet’s Reach and Resonance

Nena Gilreath explores the revolutionary fusion of ballet and African dance, highlighting the creation of Ballethnic as a bold celebration of black excellence, diverse bodies, authentic belonging, and community-centred artistic expression.

Inclusive Dance, Black Excellence, Ballet Evolution, Community Belonging, Ethnic Storytelling, Cultural Expression, Diverse Body Types, Accessible Arts, Intergenerational Participation, Challenging Stereotypes.

In this episode of The Inclusion Bites Podcast, Joanne Lockwood is joined by Nena Gilreath for an illuminating conversation entitled "Centering the Margins". Delving into the world of ballet through a radically inclusive lens, Joanne and Nena explore how dance can both reflect and shape the narratives of belonging, cultural identity, and representation. Through discussions on redefining the ballet aesthetic and breaking entrenched norms, listeners are invited to reconsider what constitutes excellence and authenticity in the performing arts. The episode challenges assumptions about body image, tradition, and artistry, demonstrating the need for creative spaces where everyone’s story has a rightful place.

Nena is the co-founder of Ballethnic, a trailblazing dance company rooted in Atlanta and renowned for reimagining ballet through the centring of Black excellence and the integration of African dance concepts. With more than three decades of artistic leadership, Nena has made it her mission to cultivate legacy and opportunity for those overlooked by traditional ballet institutions. She articulates her superpower as "holding the line" for Black dancers—establishing space, legacy, and far-reaching possibility. In her conversation with Joanne, Nena shares her journey from the Atlanta Ballet to creating a new dance vocabulary with her husband, incorporating not just ballet tradition but also social dance, African music, and a celebration of all body types and backgrounds. Their approach champions representation on stage and off, whilst inspiring profound cultural and artistic change.

Joanne and Nena discuss how centring the margins is both disruptive and affirming, addressing resistance, funding inequities, and the challenges of moving from ‘diversity act’ status to mainstream artistic visibility. They highlight the joy, liberation, and community that arises when creative standards are redefined to include everyone. A key takeaway is the power of reimagining tradition: inclusive artistry not only enriches culture, but also transforms collective understanding of belonging and beauty. Listeners are encouraged to confront legacy narratives, celebrate difference, and discover the vibrant possibilities of inclusive community building through the arts.

🎙️ This Week on Inclusion Bites: Centring the Margins with Nina Gilreith 🎙️

💥 Ever thought ballet could ignite inclusion and rewrite the rules of who belongs on stage? Prepare to challenge everything you know—in just 60 seconds! 💥

This week on Inclusion Bites, I’m in conversation with [Nina Gilreith], co-founder of Ballethnic, an award-winning pioneer who’s been reshaping ballet for over three decades to celebrate black excellence, belonging, and cultural authenticity.

Together, we explore:

• 🔑 Reimagining Ballet – How merging ballet with African dance opens doors for every body, every background.

• 🔑 Breaking the 'Ballet Body' Myth – Why representation means seeing yourself reflected and why the old rules needed dismantling.

• 🔑 Legacy of Possibility – Practical actions for creating space and legacy where none existed before.

Why Listen?
"Inclusion is about understanding, and this episode is packed with insights to help you create more #PositivePeopleExperiences."

About the Podcast
As the host of Inclusion Bites, I deliver weekly episodes designed to inspire, educate, and challenge perspectives on inclusion and belonging. Consider this 1-minute clip the spark for much bigger conversations.

Engagement Call to Action
How do you centre the margins in your world? 💭 Share your thoughts below 👇 or let us know how you bring diversity to life in unexpected places.

🔗 Listen now (and find full episodes): https://seechangehappen.co.uk/inclusion-bites-listen

#PositivePeopleExperiences #SmileEngageEducate #InclusionBites #Podcasts #Shorts #Belonging #BlackExcellence #BodyDiversity #CulturalInclusion #BreakTheMould

Don’t forget to like, subscribe, follow, and comment—then tag someone who’d love this powerful story.

with SEE Change Happen and [Nina Gilreith]

Focus Keyword: Positive People Experiences

Breaking the Ballet Mould: Positive People Experiences at the Heart of Culture Change | #InclusionBitesPodcast

Tags: inclusion, positive people experiences, culture change, diversity, belonging, ballet, representation, Ballethnic, Nina Gilreith, Joanne Lockwood, black excellence, transformation, body positivity, arts, accessibility, community, empowerment, dance, inclusivity, change, storytelling, expression, wellbeing, innovation, leadership

Killer Quote:
"Who cares if you have a stick thin body that's not exciting to watch, where you had these curvier bodies of all sizes? We define it as a body that knows how to do ballet, but knows how to move effectively in space and creates excitement." – Nina Gilreith

Hashtags: #PositivePeopleExperiences, #InclusionBitesPodcast, #CultureChange, #DiversityMatters, #Belonging, #Ballet, #BodyPositivity, #BlackExcellence, #Inclusion, #ArtsForAll, #Community, #Authenticity, #Empowerment, #Wellbeing, #Transformation, #Representation, #InspiringChange, #Innovation, #Leadership, #SEEChangeHappen

Summary Description

Step into a world where tradition meets transformation. In this episode with Nina Gilreith, co-founder of Ballethnic, we reimagine ballet to centre Positive People Experiences and drive real Culture Change. Discover why inclusive dance practices matter—and how visibility, embracing all body types, and authentic expression ignite belonging. Hear how the power of joy and representation on stage leads to audience connection and community empowerment.

If you aspire to build cultures where everyone can thrive, this conversation is for you. Listen, reflect, and be inspired to challenge the status quo! Don’t miss the insight, laughter, and energy—because when we centre the margins, we create lasting change.

Call to action: Tune in and be the voice shaping a new era of positive experiences. Like, subscribe, and share to spark culture change in your world.

Outro

Thank you for tuning in to Inclusion Bites. If this episode enriched you, like and subscribe to our channel. For more on transforming cultures and creating Positive People Experiences, visit SEE Change Happen.

Listen to the full episode here: The Inclusion Bites Podcast

Stay curious, stay kind, and stay inclusive – Joanne Lockwood

Introduction

Welcome to another illuminating episode of Inclusion Bites. Today, Joanne Lockwood is joined by Nena Gilreath, co-founder of Ballethnic, a pioneering dance company that has spent over three decades redefining ballet by centring Black excellence, authentic belonging, and cultural truth. As we journey through Nena Gilreath's story, we unpack the powerful intersections of tradition and innovation, exploring how ballet’s classical forms have been revolutionised—infusing African dance, embracing diverse body types, and dismantling elitist, exclusionary norms.

Ever wondered what ballet could look like when it lets go of rigid stereotypes and truly celebrates community? This episode challenges preconceptions, inviting you to witness the transformative impact of dance that is both technically rigorous and joyously liberating. From reimagined narratives like the Urban Nutcracker to productions that make space for every generation, Nena Gilreath's insights will expand how you see the performing arts and inclusivity itself.

Plug in, and prepare for a conversation that ignites curiosity, celebrates authenticity, and proves that when you centre the margins, you spark real change.

Inclusive ballet, African dance, Ballethnic, Black excellence, Cultural expression, Community engagement, Body diversity, Dance education, Urban Nutcracker, Legacy creation, Dance accessibility, Ballet stereotypes, Cultural fusion, Representation, Belonging, Dance innovation, Artistic inclusion, Ethnic dance, Intergenerational participation, Disability inclusion, Movement expression, Dance resilience, Artistic authenticity, Societal transformation, Celebrating diversity, Arts funding, Succession planning, Dance empowerment, Intersectionality, Global expansion

About The Episode:
In this conversation, Nena Gilreath explores the genesis and evolution of ballet that centres black excellence, reimagining tradition through intentional cultural blending. Her insight into decolonising dance, broadening participation, and empowering communities is at the heart of this episode. Listeners are invited to consider how purposeful disruption can enable true belonging and foster creative expression for all.

Today, we'll cover:

• The transformation of classical ballet by integrating African dance styles, challenging elitist traditions and broadening cultural relevance.

• The necessity of representation, inclusive of all body types and backgrounds, to shift who gets space and visibility in traditionally exclusive art forms.

• The ten-year path to proficiency in ballet and the significance of physical evolution, resilience, and adaptability in dance.

• The choreography of immersive experiences that draw audiences into the rhythm and expression, breaking the barrier between performers and spectators.

• Creating community through dance—encouraging participation from ages five to eighty and fostering well-being and social connection across generations.

• Persistent challenges faced in dismantling systemic biases based on race, gender, and body image, and practical strategies to overcome them.

• Succession planning, global expansion, and the preservation of creative legacy through intentional archiving and intergenerational leadership.

Comprehensive Sequence of Topics

1. Introduction to Inclusion Bites and Guest

• Purpose and ethos of Inclusion Bites Podcast

• Joanne Lockwood's invitation to listeners for participation

• Introduction of episode – "Centering the Margins"

• Welcome and background of Nena Gilreath, co-founder of Ballethnic

2. Location and Setting

• Nena Gilreath's current location in Athens, Georgia

• Weather comparisons between Georgia and the UK

• Commute between Athens and Atlanta

• Commentary on American freeway infrastructure

3. Origins of Ballethnic

• Explanation and pronunciation of "Ballethnic"

• Fusion of "ballet" and "ethnic"—rationale behind the company name

• Frustration with lack of representation in traditional ballet

• Inspiration and motivation for forming Ballethnic

• Role of classical ballet traditions (Swan Lake, Giselle) in sparking innovation

4. Cultural and Structural Barriers in Ballet

• Eurocentric, colonial roots of traditional ballet

• Rigid expectations around body types and aesthetics

• Nena Gilreath's personal experience not fitting traditional norms

• Importance of authenticity and rejecting assimilation

5. Innovation in Dance: The Ballethnic Approach

• Blend of structured ballet and African dance forms

• Inclusion of R&B, soul, polyrhythms, and undulation in choreography

• Accessibility and body positivity: all sizes, all backgrounds included

• Changing audience perception: from "I hate ballet" to "I like this ballet"

• Incorporation of dancers from broader ethnic backgrounds (e.g., Korean, Thai)

6. Technicalities: What Defines Ballet?

• Ballet’s historical development from royal courts

• Codified movements, costuming, port de bras, and progression to dancing sur la pointe

• Physical demands and timeline to proficiency

• The effects of ageing and puberty on dancer development

7. Practical Choreography: Blending Ballet and Ethnic Dance

• Contrasts between rigid ballet posture and fluid ethnic movement

• Techniques for combining pointe work with torso articulation and hip movements

• Example: "The Leopard Tail"—narrative, expressiveness, costumes, and physicality

8. Audience Experience and Reception

• Immersive and expressive nature of Ballethnic performances

• Emotional reactions: joy, liberation, surprise at body positivity

• Community engagement and the creation of space for different demographics

9. Community, Legacy, and Generational Inclusion

• Multi-generational participation (ages 5 to 80+)

• Creation of roles and traditions for elders within performances

• Health, wellbeing, and social connection through continual movement and involvement

10. Representation, Access, and Wider Inclusivity

• Welcoming participants with disabilities and neurodivergence

• Adaptation of teaching styles and choreography to diverse abilities

• Rhythmic engagement as a uniting principle for all ages and bodies

11. Global and Artistic Expansion

• International collaborations (Tanzania, Amsterdam, Canada)

• Cross-cultural inspiration from First Nations, Maori, and Pacific Islander traditions

• Vision for a global platform for Ballethnic's dance form and archives

12. Institutional Barriers, Funding, and Societal Challenges

• Doubts, dismissals, and prejudice within the arts community

• Intersectional challenges based on age, gender, race, and authenticity

• Difficulties in securing funding and being seen beyond token diversity roles

• The politics of inclusion – not just being booked for Black History Month

13. Breaking the Mould: Contemporary and Culturally Relevant Storytelling

• Expansion beyond traditional ballet canon

• Utilisation of contemporary music, new narratives (e.g. "Flying West")

• Incorporating history, migration, and broader community representation

• Creating performances that engage, educate, and resonate deeply

14. Succession, Sustainability, and Looking Forward

• Succession planning and passing leadership to the next generation

• Campus expansion and enhanced archiving efforts

• Commitment to making the form sustainable, relevant, and inclusive for the future

15. Personal Liberation, Identity, and Expression

• The symbolism of natural hair and body expression versus assimilationist standards

• The relationship between dance, authenticity, and personal freedom

16. Closing, Contact, and Further Engagement

• Ways to connect with Ballethnic (website, Instagram, YouTube)

• Encouragement for further exploration and involvement

• Reflection on the importance of lifelong curiosity, learning, and inclusion

1

Ever felt like you’re standing outside looking in—wondering if you’ll ever fit the “mould”? What if the answer isn’t squeezing in, but blowing the walls out? Get ready to rethink every “standard” you’ve ever accepted.

2

Tired of narrow boxes? Imagine an artform where EVERY body takes centre stage. Bigger hair. Bolder rhythm. Deeper belonging. How does freedom on stage translate to freedom in life… and business?

3

Fact: Real transformation rarely starts at the centre. It erupts at the edges—where new stories take root, rules get rewritten, and legacy is up for grabs. Are you ready to amplify the margins?

4

Whose definition of excellence are you actually chasing? This conversation might just spark a rebellion—against inherited limits, stale traditions, and anyone who says “you can’t”.

5

Let’s get honest: What does true belonging look like when conformity isn’t the ticket? If you crave electrifying creativity + gutsy inclusion, you’re exactly where you need to be… and the next 5 minutes could shift your lens forever.

On this episode of Inclusion Bites, I sat down with Nena Gilreath, co-founder of Ballethnic Dance Company, to explore what it truly means to centre the margins. We unpacked her ground-breaking journey transforming the face of ballet—melding tradition with black excellence, cultural authenticity and unapologetic joy. From challenging stereotypes and reimagining body standards, to building inclusive communities on and off stage, Nena Gilreath proves that innovation thrives when we embrace every story. Tune in if you’re ready to disrupt the status quo, ignite belonging, and witness how real change begins with bold conversations.

Inclusion Bites Podcast Newsletter

Episode 204: Centering the Margins with Nena Gilreath

Dear Inclusion Bites Community,

Our latest episode, "Centering the Margins," delivers a rousing exploration of ballet beyond its Eurocentric roots, challenging assumptions and centring voices too often marginalised within established arts institutions.

This Episode’s Highlights

• Challenging Ballet’s Traditions: Nena Gilreath, co-founder of Ballethnic, shares how she has spent over three decades reshaping ballet to be truly inclusive—integrating African dance, R&B, and authentic storylines, championing Black excellence, and showcasing diverse body types on stage.

• Why Blending Matters: Classical ballet has long privileged specific aesthetics, but Nena Gilreath and her partner introduced undulating torsos, bold movement, and joyous expression, expanding what ballet can be and who gets to perform it. The result? Audiences from every background feel seen, and entire communities join in celebration.

• From Margins to Mainstage: The discussion traverses the impact of Ballethnic’s Urban Nutcracker and “Leopard Tale,” bringing multi-generational, multi-abled casts and audiences together, challenging the singular narrative of “the ballet body,” and revealing that inclusion is not an add-on but the very heartbeat of artistic legacy.

• The Barriers and the Breakthroughs: Nena Gilreath reflects candidly on decades of navigating funding gaps, cultural prejudice, and industry reluctance—yet presses forward, driven by the certainty that true representation and ownership belong to every community.

Rhetorical Moment

What would it look like if every cultural institution asked not, “Who have we always included?” but “Who have we overlooked—and how can we centre them?”

Take Action: Join the Movement

• Follow Ballethnic’s journey at ballethnic.org

• Watch their signature blend of ballet and African dance—see the stories, the movement, the liberation.

• Consider who is missing from your spaces and what possibilities emerge when you centre them.

Have a story or perspective that challenges the norm? We'd love to hear from you. Email Joanne Lockwood at jo.lockwood@seechangehappen.co.uk and join us in sparking real change.

Missed this episode? Listen now or catch up on past conversations at https://seechangehappen.co.uk/inclusion-bites-listen.

Together, let’s ignite inclusion, one voice—and one bite—at a time.

🎙️ Inclusion Bites Ep204: "Centering the Margins" with Nena Gilreath

1/ What does it really take to disrupt ballet's status quo and bring true belonging to the stage? This week on Inclusion Bites, Joanne Lockwood welcomes Nena Gilreath, co-founder of Ballethnic, for a conversation igniting inclusion in the arts 00:01:15. #InclusionBites #Belonging

2/ Ballet: rigid, Eurocentric, uniform—right? Not in Nena Gilreath’s studio. Imagine fusing classical technique with African dance, R&B, grounded movement and undulating torsos. Why? To centre black excellence and cultural authenticity, not force assimilation 00:09:45.

3/ Nena Gilreath asks: "What is a ballet body?" At Ballethnic, it’s any body moved by dance. Petite, large, curvy, all ethnicities—on stage, unapologetically present 00:11:41. Joy and self-expression are the standard, not stick-thin uniformity.

4/ "You hate ballet? We’ll show you a different kind of ballet." This is the radical invitation: dismantling elitism by making ballet accessible, relevant, and powerful for people who’ve never seen themselves on stage 00:11:03.

5/ How do you blend tradition with revolution? Imagine holding classical balances and letting hips, ribs, neck, eyes, even joy move. Nena Gilreath’s iconic ‘Leopard Tail’ stages undulating catsuits and live drums, smashing old limitations 00:18:44.

6/ Transformation goes wider than performers. Ballethnic’s Urban Nutcracker reimagines Tchaikovsky for Atlanta’s Sweet Auburn, with "Brown Sugar" and "Big Mama" leading the story 00:28:30. Generations of new audiences now feel ownership in ballet—across 30+ years.

7/ Inclusion isn’t buzz, it’s structure. Ballethnic welcomes neurodivergent dancers, people with disabilities, elders up to age 81 00:32:34. "If you can move and are committed, you belong," says Nena Gilreath.

8/ It’s not just Atlanta—a global vision is unfolding. From Tanzania to Amsterdam, the Ballethnic approach bridges cultures, dance vocabularies and generations 01:00:14. Where next? Indigenous, Maori, and Pacific Island forms are calling...

9/ Challenge: Why does only one ballet company get funded per city? Why are Black artists called only for ‘diversity slots’? Ballethnic fights for year-round inclusion, not just Black History Month tokenism 00:49:46.

10/ The lesson for every sector: To build inclusion, centre the margins. Design for community, not gatekeeping. Value authenticity and let new stories flourish 00:54:11.

11/ Ready to actually see what an inclusive ballet looks like? Catch video, stories, and movement at ballethnic.org or follow Nena Gilreath as NinaLeopardess on Instagram 01:04:23.

12/ Want more bold conversations disrupting the norm? Subscribe to Inclusion Bites: https://seechangehappen.co.uk/inclusion-bites-listen. Reach Joanne Lockwood at jo.lockwood@seechangehappen.co.uk to share your story or join the show.

#Inclusion #Dance #Ballet #Diversity #Culture #Neurodiversity #Community #SeeChangeHappen

My Journey on The Inclusion Bites Podcast: Centering the Margins

Appearing as a guest on the Inclusion Bites Podcast was not only an honour, but a powerful opportunity to amplify the ethos and history that have shaped my work within the world of dance, belonging, and social transformation. In an episode titled "Centering the Margins," I shared my personal and professional story, the origins of Ballethnic, and the transformational possibilities inherent in recentering underrepresented identities within the ballet sphere.

Sharing the Vision of Ballethnic

For over three decades, I've been deeply committed to reimagining ballet—an art form historically dominated by Eurocentric ideals—by centring Black excellence, authenticity, and cultural truth. On the podcast, I discussed the genesis of Ballethnic: how the urge to blend the rigour of classical dance with the vibrancy and undulation of African forms unleashed something new. Ballethnic emerged precisely because spaces for Black dancers, and those whose bodies and movement languages lay outside prevailing norms, were either restricted or non-existent. We have not merely inserted ourselves into the canon; we've recast the narrative so that others can see themselves reflected, celebrated, and empowered.

Dance as Inclusion in Action

What does it mean to centre the margins? On the podcast, I explored how this is more than a theoretical exercise—it is lived experience. Through our work, Ballethnic actively challenges notions of who belongs on stage. Our dancers come in all shapes, sizes, and backgrounds, erasing the monolithic ‘ballet body’ stereotype. We embody the understanding that every body is a ballet body when given the space and training to express with skill and joy.

We also delved into the holistic health benefits of movement and connection, where age and ability are not barriers but are embraced within our multigenerational, neurodiverse community. The stories of elder dancers and young children finding their place in major performances illustrate how dance fosters confidence, wellbeing, and dignity for all.

Breaking Barriers, Building Legacy

During the conversation, I reflected on the hurdles Ballethnic has faced—from funding inequities and stereotyping to navigating the complex politics of inclusion. It was important to share how we’ve transformed every challenge into a catalyst for innovation, solidarity, and institution-building. Our perseverance has established Ballethnic as a vital, lasting force. We continue to rewrite what professional ballet can look like, always on our own terms and with purposeful joy.

Inclusion as a Revolutionary Practice

Joining Inclusion Bites gave me a platform to advocate for cultural relevance in the arts and challenge the notion that diversity is only required when it’s convenient or performative. True inclusion is about everyday practice and presence—not just fleeting moments of recognition.

Performances like the Urban Nutcracker and The Leopard Tale were highlighted as cultural touchstones that summon a spectrum of audiences and participants, providing immersive, rhythmic, and story-rich alternatives to traditional ballet. I emphasised the need to continue expanding this work globally, connecting Ballethnic’s ethos to other cultures and communities around the world.

Why This Conversation Matters

The Inclusion Bites Podcast is renowned for tackling powerful, transformative conversations. By sharing my journey and Ballethnic’s story, I aim to ignite imagination and encourage more individuals and organisations to disrupt norms, centre the margins, and invest in authentic inclusion. If just one listener is inspired to create space for themselves or others, then the legacy grows.

For those seeking to learn more, collaborate, or experience the joy of a Ballethnic performance, reach out and become part of this evolving community. Together, we dance not only for ourselves, but for the generations to follow.

Stay connected:
Website: ballethnic.org
Instagram: @ninaleopardess
YouTube: @ballethnic

Let’s keep the movement alive.

Pain Points and Challenges Highlighted

1. Exclusion Within Traditional Ballet Culture

2. Barriers to Entry for Diverse Dancers

3. Society’s Narrow Definition of a 'Ballet Body'

4. Tokenism and Diversity Fatigue

5. Financial and Structural Inequality in the Arts

6. Resistance to Expanding Artistic Canon

7. Sustainability and Succession Concerns

8. Accessibility for Disabled and Neurodivergent Performers

9. Recognition Beyond Diversity Initiatives

10. Community Engagement and Audience Development

Addressing Each Issue

1. Exclusion Within Traditional Ballet Culture

Traditional ballet is steeped in Eurocentric forms, rigid body standards, and a narrow hierarchy, leaving Black and minoritised dancers feeling peripheral or invisible 00:09:45. This exclusivity is reinforced by historic elitism and aesthetic gatekeeping.

Centre the Margins:

• Reimagine ballet’s foundational tenets by integrating movements, music, and narratives that represent diasporic and local experiences.

• Promote new standards for inclusion that celebrate difference rather than assimilation.

2. Barriers to Entry for Diverse Dancers

Access to ballet training often requires significant financial resources, social capital, and geographic proximity—privileges not available to many marginalised communities 00:07:44.

Removing the Gate:

• Develop scholarships and grassroots training for underrepresented talent.

• Partner with community centres and local schools to make ballet instruction accessible at scale.

3. Society’s Narrow Definition of a 'Ballet Body'

The myth that only certain body types can engage with ballet prevents many from participating and thriving. Nena Gilreath described instances of being questioned for “non-ballet bodies” cast on stage 00:11:41.

Redefining Aesthetics:

• Publicly challenge and deconstruct the ‘ballet body’ stereotype.

• Produce performances showcasing all body types—affirming that movement ability, expression, and passion supersede template physicality.

4. Tokenism and Diversity Fatigue

Joanne Lockwood and Nena Gilreath acknowledged how institutions frequently only call for Black artists during Black History Month or for ‘diversity slots’ 00:51:09, reducing their art to performative gestures.

Centre Year-Round Equity:

• Build year-round partnerships, not just during ‘diversity season’.

• Demand sustained investment, reciprocal relationships, and representation in leadership, not simply on stage.

5. Financial and Structural Inequality in the Arts

Funding, venues, and institutional support deeply favour established, typically white-led companies. Nena Gilreath noted balletic institutions’ reluctance to share financial resources and infrastructure 00:49:14.

Redistributing the Pie:

• Advocate for policy change in arts funding that actively addresses historical disparities.

• Elevate donor awareness and encourage unrestricted gifts to minoritised-led organisations.

6. Resistance to Expanding Artistic Canon

The ballet establishment often rebuffs genre-blending and narrative innovation, treating tradition as both shield and barrier 00:53:07.

Agitate the Canon:

• Curate bold, cross-cultural works and commission new composers, choreographers, and dramaturgs from underrepresented backgrounds.

• Foster audiences who value innovation and challenge preservationist orthodoxy.

7. Sustainability and Succession Concerns

Many minoritised ballet organisations are reliant on a small group of founders, risking sustainability if succession plans are weak or under-resourced 00:58:31.

Build Enduring Infrastructure:

• Devote resources to formal leadership development and archiving.

• Secure property, digital platforms, and long-term institutional memory so the company outlives its founders.

8. Accessibility for Disabled and Neurodivergent Performers

Most traditional companies lack strategies to include people with visible or invisible disabilities 00:31:09.

Universal Access:

• Develop adaptive teaching, choreography, and performance opportunities.

• Welcome all people to the dance floor, changing “ability” from exclusionary to inclusive.

9. Recognition Beyond Diversity Initiatives

Performers and companies led by people of colour should be seen and valued on their own terms, not merely as “nice to have” add-ons 00:49:01.

Normalise Inclusion:

• Integrate diverse works into core programming everywhere, not marginalised seasons or venues.

• Share the narrative that Black excellence is global excellence, not an exception.

10. Community Engagement and Audience Development

The challenge of attracting audiences who felt alienated by ballet’s history remains, as Nena Gilreath described the creative efforts to make shows culturally resonant and visually thrilling 00:28:30.

Meet People Where They Are:

• Use cultural references, local storeys, community narration, and inclusive casting.

• Engage in dialogue, participatory performances, and open workshops.

In Summary

The journey from the margins to the centre requires more than a changing cast: it demands structural transformation, reimagined values, and the courage to centre joy, truth, and belonging. The work of Nena Gilreath and Ballethnic, as explored with Joanne Lockwood, provides a vivid blueprint for others committed to embedding radical inclusion in the creative world.

Potential FAQ Questions from the Interview

The conversation between Joanne Lockwood and Nena Gilreath surfaced several insightful themes and prompted comprehensive responses. The following questions—based directly on the dialogue—lend themselves to a valuable FAQ resource for the Inclusion Bites audience:

1. How did the concept of "Ballethnic" originate, and what problem does it address in traditional ballet?

See: 06:06 - 09:04

• Nena Gilreath offers a detailed explanation of blending ballet and ethnic dance to create space and legacy for Black dancers, discussing their experiences in classical ballet and the impetus to reimagine the artform for broader representation and cultural authenticity.

2. What defines traditional ballet, and how does Ballethnic reinterpret these standards?

See: 12:34 - 18:28

• Joanne Lockwood queries the characteristics of ballet, leading Nena Gilreath to dissect the formality, physical requirements, and the historical underpinnings—before describing how Ballethnic fuses classic ballet posture and technique with African and ethnic dynamics, empowering inclusivity and joyous self-expression.

3. How does Ballethnic support body diversity and challenge the stereotypical “ballet body” ideal?

See: 11:15 - 12:34

• Nena Gilreath describes the deliberate inclusion of various body types and sizes, contesting the restrictive “ballet body” notion and spotlighting how audiences became more engaged when they saw themselves represented on stage.

4. Has Ballethnic created pathways for people with disabilities or neurodivergence to participate in dance?

See: 30:14 - 31:47

• Joanne Lockwood asks how inclusive the form is for performers with physical or learning disabilities. Nena Gilreath articulates their ongoing commitment to adaptive dance education and access, stating that artistic expression should be available to all.

5. In what ways has audience engagement changed as a result of Ballethnic’s approach?

See: 27:37 - 30:02

• Nena Gilreath shares how their productions draw diverse, intergenerational audiences, converting ballet novices into enthusiasts, and establishing new cultural traditions within their community.

6. What barriers—social, institutional, or financial—has Ballethnic encountered, and how were they overcome?

See: 46:51 - 51:09

• Joanne Lockwood elicits reflection on systemic exclusions. Nena Gilreath candidly addresses challenges including age bias, racialised stereotyping, lack of institutional support, funding inequities, and the struggle for recognition beyond token diversity moments.

7. How does Ballethnic use storytelling to broaden ballet’s appeal and relevance?

See: 53:24 - 57:13

• In response to a question about repertoire and innovation, Nena Gilreath outlines their commitment to telling unique narratives, celebrating Black migration, femininity, and community resilience—integrating elements that resonate both locally and globally.

8. What is the vision for the future of Ballethnic, and how can others get involved or support their mission?

See: 57:35 - 01:01:10

• The discussion concludes with Nena Gilreath describing ambitions for expansion, global collaboration (including digitisation and cultural exchange), succession planning, and how listeners can engage with or support the company’s ongoing legacy.

These questions encapsulate not only technical and artistic insights, but also broader themes of belonging, representation, and social transformation—ideal for an ongoing FAQ series.

Centering the Margins: The Radical Power of Reimagined Ballet

What do you imagine when you hear the word “ballet”? Is it a world of Swan Lake perfection—stick-thin bodies, poised elegance, and rigid white tutus? Or could it be something entirely different: the undulation of hips, vibrant curls bouncing, faces alive with joy, and a stage filled with a full spectrum of ethnicity, body shapes, and boundless possibility? This is the world redefined by Nena Gilreath, co-founder of Ballethnic and the inspirational voice behind this episode’s Inclusion Bites Podcast, "Centering the Margins."

Breaking Ballet's Exclusionary Mould

For generations, ballet has epitomised a Eurocentric standard of beauty and discipline—an art form that, despite its technical brilliance, unashamedly centres whiteness, elitism, and physical conformity. As Joanne Lockwood so deftly recognises, traditional ballet’s formality comes laced with the unspoken message: “You belong only if you fit.” For many aspiring dancers, especially those from Black and minoritised backgrounds, or those whose bodies exist outside the accepted archetypes, ballet is a closed room with the door firmly bolted.

But here lies the core problem: art should be a vessel for belonging, expression, and community—not a stronghold for sameness and exclusion. “Where are the Black people? The Black children? Surely there are people like me who want to be doing this thing,” Nena Gilreath recalls asking herself during her tenure at the Atlanta Ballet 08:00. And so she, together with her husband, dared to create an answer: Ballethnic—a place where the tradition of ballet is joyfully cracked open and every margin is centred.

Transformation in Action: Blending Form and Freedom

What happens when you dismantle the idea that ballet is reserved for one kind of body, or indeed one kind of culture? Nena Gilreath’s Ballethnic fuses classical ballet’s technical prowess with West African dance, R&B rhythms, and a celebration of bodily diversity. They have reimagined classics, relocating “The Nutcracker” from a snowy Russian fantasy to Atlanta’s Sweet Auburn Avenue and recasting the Sugar Plum Fairy as “Brown Sugar”—weaving in community, local culture, and joyful veracity 28:28.

The impact is profound. Onstage, audiences witness curvier, older, and vastly more ethnically diverse performers exemplifying technical skill and contagious artistry. Offstage, families who once swore off ballet flock to packed venues, generations returning year after year. Children of five dance alongside octogenarians, and neurodivergent and disabled students are invited to move in ways that honour their own rhythm and style 33:22.

Where ballet once prescribed, Ballethnic liberates—encouraging not only physical movement but spiritual freedom. As Nena Gilreath shares, “At the end of the ballet, what’s so funny is people don’t want it to stop. There’s live drumming, everybody’s upbeat, the audience has jumped up, everybody’s moving. It’s a spiritual experience. It’s immersive…the community needed it” 43:32.

Problem: Systemic Barriers to Full Inclusion

This journey, however, has not been without formidable obstructions. Ageism, racism, sexism, and structural underfunding persist. Ballethnic has faced the common retort, “We don’t need a Black ballet company—why can’t you just be satisfied?” 47:50. Opportunities are too often limited to diversity “showcases” rather than meaningful artistic platforms. Funding remains disproportionately scant. Yet, through dogged perseverance, a refusal to shrink in the face of stereotype, and an insistence on telling authentic stories—Ballethnic and Nena Gilreath continue to carve out space where none was offered before 49:44.

Accessible Inclusion: Bringing the Margins to the Centre

So, how do we move from appreciation to actionable inclusion? Nena Gilreath offers a blueprint applicable far beyond dance:

1. Redefine What Belongs

Challenge inherited ideas of who is “supposed” to be seen and celebrated in any space. Ask yourself: “Whose voices, bodies, and stories are missing here?” Then, create structures that welcome rather than just tolerate difference.

2. Build Pathways, Not Gateways

Follow Ballethnic’s lead—invite people with disabilities, from all ages, all ethnicities, all body types, and neurodivergent backgrounds into your artistic or professional spaces. Adapt your forms where necessary to allow participation—not just as an act of representation, but as a source of creative enrichment.

3. Make Joy a Radical Act

Expression and embodiment are not only technical exercises but acts of cultural reclamation. Use celebration, joy, and even play as tools for resistance and empowerment, breaking open traditions and welcoming new influences.

4. Advocate for Systemic Change

Refuse relegation to the diversity “side act.” Demand year-round opportunities, appropriate funding, and recognition that reimagined forms are valuable in their own right, not just as box-ticking exercises.

5. Centre Community and Legacy

Create art and inclusion practices that encourage participation across generations. Make sure the door you unlocked does not close behind you—mentor, archive, and succession-plan so that inclusion becomes both sustainable and scalable 58:16.

The Call: From the Margins, to the Centre of Every Stage

The true lesson from "Centering the Margins" is this: Inclusion is not a one-off event or a moment of tokenised visibility. It’s the decision—again and again—to shift the spotlight, to reimagine whose story we tell and how we tell it. Whether in the arts, the workplace, or public life, following Nena Gilreath’s example means refusing to be pressed into a pre-ordained mould or limiting ourselves to the back row.

As Joanne Lockwood urges, “Art should be a vessel for belonging, expression, and community—not a stronghold for sameness and exclusion.” The challenge now is for all of us to create spaces in our lives—big or small—where no one is ever left simply standing on the margins.

Take Action:

• Watch, learn, and be inspired by the story and legacy of Ballethnic; visit ballethnic.org and seek out their performances.

• Listen to this Inclusion Bites episode, "Centering the Margins," and reflect on what it would mean to rewrite the rules in your own field.

• Share this narrative—as stories catalyse change, your amplification is part of the solution.

• Most importantly, ask yourself each day: “Whose margin can I help centre today?”

Let us all step into the circle. Let us all dance.

We define it as a body that knows how to do ballet, but knows how to move effectively in space and creates excitement. Who cares if you have a stick thin body that's not exciting to watch, where you had these curvier bodies of all sizes?

Discussion Questions: "Centering the Margins"

1. How did Nena Gilreath describe the origins of the term "ballethnik," and what does this blend reveal about the intentional disruption of traditional ballet spaces?

2. In what ways does the ballethnic style challenge established stereotypes around race, body type, and participation within the ballet community?

3. How does the fusion of ballet and African dance expand expressions of joy and embodiment on stage, as recounted by Nena Gilreath?

4. What barriers and prejudices did Nena Gilreath encounter while founding and growing her company, and how were these challenges navigated over time?

5. How has the inclusion of diverse audiences and performers—across age, body, and ability—reshaped both the creative process and audience experience for ballethnic performances?

6. Why is it important, as discussed in the episode, for arts organisations to move beyond being engaged only for diversity-themed occasions such as Black History Month?

7. In what ways do ballethnic performances use narrative and cultural context to expand the definition of ballet, and how does this affect community engagement and audience appeal?

8. How did the company’s experience at the Cultural Olympiad in Atlanta demonstrate the potential for cross-cultural collaboration and global recognition of their unique style?

9. What role does dance play in fostering lifelong health, confidence, and community for participants, according to Nena Gilreath?

10. Looking forward, what strategies does Nena Gilreath propose for ensuring the sustainability and global reach of ballethnic, and how can individuals contribute to this vision?

FAQ: Centering the Margins — Ballet, Inclusion, and Cultural Expression

What is Ballethnic and how did it originate?

Ballethnic is a pioneering dance company founded to blend classical ballet with African and other ethnic dance forms, creating space for Black excellence, authentic cultural narrative, and broader representation within the art. The concept emerged from Nena Gilreath and her husband’s personal experiences in the late 1980s with Atlanta Ballet, where they observed the absence of People of Colour within both the company and its audiences. Inspired to challenge norms and innovate, they developed the "Ballethnic" fusion—"ballet" and "ethnic"—with a commitment to legacy, space creation, and possibility-building 00:06:28.

How does Ballethnic differ from traditional ballet companies?

Ballethnic deliberately breaks the mould of conventional ballet, which has been shaped by Eurocentric standards, elitism, and exclusive ideals regarding body type and movement. Instead, Ballethnic is rooted in cultural authenticity, featuring diverse body shapes, ethnic backgrounds, and dance vocabularies. Their choreography integrates African drumming, R&B, and expressive torso and facial movements typically absent in mainstream ballet 00:11:15 00:18:06. The focus is on joy, community, and genuine representation rather than rigid aesthetic standards.

What does Ballethnic's approach to dance mean for body image and inclusion?

Ballethnic celebrates body diversity, placing dancers of varying shapes, sizes, and backgrounds on stage. The ethos challenges stereotypical notions of the 'ballet body', championing the principle that any body capable of learning ballet can belong and contribute meaningfully. This shift enables increased participation and visibility for those previously excluded or overlooked within traditional structures 00:11:23 00:12:23.

How is the audience experience different with Ballethnic performances?

Audience engagement at Ballethnic productions is immersive and participatory. Shows like ‘Leopard Tale’ incorporate live drumming, vibrant expression, and movement that often energise audiences into physical response—clapping, moving, and sometimes even joining encores. This approach fosters a communal, joyful spirit, contrasting with the often passive observation characteristic of traditional ballet events 00:43:20.

Does Ballethnic encourage participation from people with disabilities or older adults?

Yes. Ballethnic has actively welcomed dancers with physical or learning disabilities, as well as older adults, ensuring programming is flexible to individual needs and ability levels. Their large productions feature performers from ages 5 to over 80, highlighting community, movement as well-being, and lifelong engagement with dance 00:33:22 00:35:00.

What challenges has Ballethnic faced when centring the margins?

Ballethnic has encountered barriers such as scepticism regarding their longevity, presumed irrelevance, gender bias, and persistent underfunding relative to more established, Eurocentric ballet companies. They are frequently approached primarily for diversity initiatives, confronting the challenge of being seen as an 'everyday' part of the arts landscape rather than solely as specialists for Black History Month or targeted inclusion projects 00:47:05 00:49:32 00:51:09.

Has Ballethnic’s model influenced other dance companies?

While many companies blend genres, Ballethnic is among the first and most consistent in integrating authentic ballet with West African dance and broader ethnic concepts. They have extended their reach through workshops, performances, and collaborative projects internationally, including the US, Europe, and Africa, helping shift perceptions of ballet and performance art 00:58:03 01:00:32.

Where can I find more information or see Ballethnic performances?

For more information, videos, and engagement opportunities, visit ballethnic.org. Social channels include Instagram (@ninaleopardess and @ballethnic) and YouTube (@ballethnic). For further resources on inclusion, explore Inclusion Bites Podcast at seechangehappen.co.uk/inclusion-bites-listen or contact Joanne Lockwood at jo.lockwood@seechangehappen.co.uk 01:04:23.

About the Guest: Nena Gilreath

00:01:22 Nena Gilreath is a co-founder of Ballethnic, a dance company that, for over three decades, has focused on reshaping ballet by centring Black excellence, belonging, and cultural truth. Her superpower lies in 'holding the line for Black dancers', creating space, legacy, and possibility where none was previously offered. She operates between Atlanta and Athens, Georgia, drawing inspiration from community and maintaining a strong connection to local culture and identity.

Key Perspectives and Insights

Centring the Margins in Ballet

00:06:28 Nena Gilreath advocates for redefining ballet traditions by blending classical techniques with African dance, R&B, and soul music to provide a vibrant, accessible alternative to the rigid, Eurocentric model. She emphasises the importance of visibility for people of colour in ballet, noting the historic underrepresentation both on stage and within ballet audiences, particularly in cities such as Atlanta where the majority population is of colour yet rarely attends traditional ballet.

Critique of Traditional Ballet

00:09:45 According to Nena Gilreath, mainstream ballet is steeped in elitism, favouring certain body types and perpetuating exclusionary aesthetics. She describes how Ballethnic deliberately challenges these norms by featuring diverse body types and ethnicities, foregrounding joy and expressive movement over rigid conformity. She asks rhetorically, "What defines a ballet body?" and proposes that excitement, skill, and passion matter more than conventional physique.

Innovation through Fusion

00:17:24 Nena Gilreath details Ballethnic's innovative approach: the fusion of ballet's disciplined elongation with the dynamic, polyrhythmic torso movements characteristic of African and ethnic dances. Signature works like "Leopard Tail" showcase both technical mastery and expressive freedom, allowing dancers to undulate hips and ribs while still performing pointe work. She draws metaphorical parallels between animal movement and dance, celebrating fluidity and authenticity.

Community, Inclusion, and Representation

Ballethnic's ethos is rooted in making ballet accessible to all, regardless of age, ethnicity, body type, or ability. Nena Gilreath underscores the value of intergenerational participation, with performers aged 5 to 80, and addresses neurodiversity and physical disabilities in her academy. The company actively involves families, older adults, and community members, exemplifying dance as a vehicle for belonging and holistic wellbeing.

Storytelling and Cultural Relevance

00:54:19 Nena Gilreath is passionate about telling culturally resonant storeys outside the Western ballet canon. She has collaborated on works like "Flying West", which explores Black migration and frontier life, using dance not only as artistic expression but as education and community empowerment. The narrative scope is intentionally broad, blending historical and contemporary themes, and always celebrating the heritage and diversity of performers.

Navigating Barriers: Societal and Artistic

00:46:51 Nena Gilreath has faced substantial barriers—prejudices relating to age, gender, race, body shape, and the assumption that only one company deserves prominence. She notes that early on, their legitimacy was questioned and funding was hard-won. Even now, she observes that their work is often only valued in the context of diversity initiatives or Black History Month and insists on broader recognition. Her strategy involves perseverance, rigorous advocacy, and leveraging community philanthropy to sustain their mission.

Vision for the Future

01:00:14 Nena Gilreath envisions expanding globally, digitising archives, and succession planning to ensure Ballethnic’s legacy. She advocates for continued learning, wider cultural exchange, and greater funding to support sustainable inclusion and creative innovation.

Personal Liberation and Authenticity

01:07:17 Nena Gilreath reflects on her journey to authenticity, symbolised by embracing her natural hair, rejecting earlier pressures to assimilate Eurocentric aesthetics. She celebrates liberation not just in movement, but in identity, encouraging dancers to express their whole selves, both physically and culturally.

Summary:
Nena Gilreath is a pioneering advocate for inclusive, innovative ballet rooted in cultural truth and community engagement. Her philosophy is clear: celebrate all bodies, centre joy and authenticity, disrupt stereotypes, and tell storeys that matter. Through Ballethnic, she has forged a legacy challenging the status quo and making space for those previously marginalised—on stage and beyond.

Training and Workshop Ideas Inspired by "Centering the Margins"

1. Ballet as Inclusive Expression: Reimagining Movement

• Explore blending classical ballet with diverse cultural dance traditions.

• Practical movement sessions on releasing rigidity and embracing undulation, isolation, and groundedness as discussed by Nena Gilreath [17:24].

• Emphasise accessibility for all body types, ages, and abilities.

2. Challenging Aesthetic Norms in the Arts

• Critical analysis of the “ballet body” stereotype and its social roots, referencing Nena Gilreath's efforts to showcase bodies of all shapes, sizes, and backgrounds [12:08].

• Activities to deconstruct internal biases and foster broader definitions of artistic beauty.

3. Storytelling Through Dance—Telling Untold Histories on Stage

• Workshop on transforming community narratives, history, and migration into performances (referencing “Flying West” and “Leopard Tale” ballets [54:19]).

• Tools for creative writing and choreography to amplify marginalised voices.

4. Building Communities of Belonging Through the Arts

• Approaches to inclusive recruitment, audience development, and community engagement inspired by Nena Gilreath’s practice of casting people across age, size, ability, and background [33:22], [25:16].

• Scenarios and roleplay on handling audience perceptions and generating buy-in for new artistic forms.

5. Resilience in Cultural Entrepreneurship

• Sessions on overcoming barriers: funding bias, representation fatigue (e.g., being pigeonholed for “diversity” only during celebratory months [51:24]), and gendered assumptions in arts leadership.

• Pair with problem-solving clinics, sharing tactics for sustaining mission-driven organisations.

6. Succession Planning and Intergenerational Learning in the Arts

• How to design succession plans for legacy—drawing on Ballethnic Academy’s approach to grooming the next generation of leaders [58:16].

• Involve interactive exercises on mentorship and generational knowledge transfer.

7. Adaptive Choreography for Neurodiverse and Disabled Dancers

• Demonstration and practice of adaptive dance pedagogy for neurodiverse participants and those with disabilities, inspired by Nena Gilreath’s experiences incorporating neurodiverse dancers [31:19].

• Collaborative design sprints for new inclusive class models.

8. Global Cross-Cultural Artistic Exchange

• Modules on integrating rhythms, movement, and aesthetics from African, First Nation, Pacific, and other dance traditions (Nena Gilreath notes the value of global expansion [01:01:47]).

• Design challenges on forging respectful cross-cultural collaborations and avoiding appropriation.

9. Joy, Wellness and Movement for All Ages

• Workshops foregrounding movement for wellness rather than performance, drawing from Ballethnic’s engagement with dancers ages five to eighty-plus [33:22].

• Address social isolation, confidence-building, and holistic health through communal dance.

10. Making Change Sustainable: Funding and Institutional Advocacy

• Practical sessions about how to build institutional support for non-mainstream arts, campaign for fair funding, and push for policy change (Nena Gilreath on ongoing funding struggles [49:32]).

• Panel discussions with case studies from successful minority-led arts organisations.

All content and ideas firmly rooted in the paradigms, experiences, and language of Nena Gilreath and Joanne Lockwood as shared in this episode. For further collaboration or bespoke sessions, contact Joanne Lockwood at jo.lockwood@seechangehappen.co.uk.

Threads Post 1

Inclusion is more than a buzzword—it's a lived experience. Nena Gilreath shows how ballet can become a home for every body, every background, blending tradition and identity to reshape the dance world.

Threads Post 2

Why settle for the old ballet mould? Nena Gilreath fuses ballet with African dance, expanding expression, movement, and joy. Joanne Lockwood celebrates how every audience member feels the energy.

Threads Post 3

Can dance serve the whole community? Nena Gilreath invites elders, children, and those with different abilities onto the stage. Dance is for all—age, shape, and background do not limit belonging.

Threads Post 4

What does “centering the margins” mean? It’s about challenging stereotypes, inviting diversity, and using creativity to drive societal change. Joanne Lockwood and Nena Gilreath make inclusion tangible, not theoretical.

Threads Post 5

Ballet doesn’t have to be rigid—movement can reflect freedom, culture, and celebration. For Nena Gilreath, true dance is joy uncontained, and every performance is an open invitation to move and belong.

Leadership Insights Channel

Have you ever noticed your team looking disengaged or overlooked? Here’s a common challenge: leaders often unconsciously centre the same voices and perspectives, leaving those at the margins feeling invisible.

So, what’s the solution?

Start by actively inviting contributions from every team member, especially those who might be quieter or from underrepresented backgrounds. Make space for their ideas—don’t just wait for them to speak up, seek their perspectives directly.

Be intentional in your meetings. Rotate who leads discussions, and celebrate diverse accomplishments, not just familiar success stories. Challenge your own assumptions about who “fits” a leadership mould.

When you centre the margin, you build belonging. Your actions signal that everyone matters, which fuels engagement, creativity, and ultimately, greater success for the whole team.

Empowered teams deliver extraordinary results—so lead with inclusion at the heart.

1. 35 Years of Breaking Ballet Barriers: How Ballethnic Attracts 2000+ Inclusive Audience Annually | Nina @ Ballethnic

2. 500+ Seats Sold Out for Urban Nutcracker: Transforming Ballet through Black Excellence | Nina @ Ballethnic

3. From Atlanta to Amsterdam: The Global Impact of Ballethnic's 30-Year Dance Revolution | Nina @ Ballethnic

Subject: What Happens When You Centre the Margins? (Inclusion Bites Ep.204)

Hello Inclusion Bites Family,

Ready for another round of thought-provoking conversation? This week, we serve a truly inspiring story that pirouettes on the edge of tradition and revolution: Episode 204 – “Centering the Margins” with the marvellous Nena Gilreath, co-founder of Ballethnic.

Pop in your earbuds and pour a cuppa—Joanne Lockwood meets Nena Gilreath for a journey that reshapes everything you thought you knew about ballet, inclusion, and belonging.

5 Keys You’ll Learn This Episode

1. Why Standing Still Isn’t an Option
Discover how classical ballet’s rigid mould led Nena Gilreath and her husband to invent “Ballethnic”—by fusing ballet with African dance traditions, creating space for bodies, rhythms, and voices routinely locked out.

2. Redefining the Ballet Body
Challenge the “perfect” ballet image. Ballethnic stages all shapes, sizes, and backgrounds—because artistry isn’t weighed or measured by Eurocentric standards.

3. The Power of Living Storytelling
Explore how lived experiences and community history inspire ballets like “The Leopard Tale"—it’s not just about watching, it’s about belonging, celebrating ancestry, and feeling the drumbeat pulse through every movement.

4. Inclusion for All Ages and Abilities
From dancing grandmas to disabled and neurodivergent participants, Ballethnic proves that dance should be radically accessible—building both confidence and connection.

5. The Art of Joyous Disruption
Find out how blending structure with spontaneity and heritage with innovation brings joy, energy, and a bit of glorious chaos that will leave you wanting to get up and move.

Unique Fact from the Episode

Did you know Ballethnic’s signature production, The Leopard Tale, sees dancers—ranging from age five to their eighties—moving fiercely en pointe while undulating and expressing like wild, joyful leopards? Imagine traditional pointe shoes customised with leopard spots, and a finale so energetic that dancers shed up to seven pounds from just one performance run (43:59)!

Ready to Step Beyond the Margins?

Jump into Episode 204: Centering the Margins, share it with a curious friend, and join the growing Inclusion Bites community. Got thoughts to share, stories to tell, or want to appear on the show? Drop a line to jo.lockwood@seechangehappen.co.uk—we love hearing from you.

Keep listening, keep learning, and never underestimate the power of shaking up tradition—you might just find your joy.

Warm wishes,
Jo

Inclusion Bites Podcast
Real talks. Disrupted norms. One community, one episode at a time.
https://seechangehappen.co.uk/inclusion-bites-listen

Episode Summary

In this compelling episode of Inclusion Bites, Joanne Lockwood engages with Nena Gilreath, co-founder of Ballethnic, an innovative ballet company centring Black excellence, belonging, and cultural truth. Together, they explore the blending of ballet with African dance traditions, the dismantling of elitist paradigms, and the journey towards true artistic inclusion. Listeners are invited to examine what happens when the margins take centre stage.

In this conversation we discuss

👉 Ballet & identity
👉 Breaking stereotypes
👉 Radical inclusion

Here are a few of our favourite quotable moments

"We define it as a body that knows how to do ballet, but knows how to move effectively in space and creates excitement."

"You may look crazy because you’re used to looking proficient and graceful, but now you’re not going to look like that because you’re dealing in a mode that you’re not accustomed to."

"We create space for everybody... As long as you can move and that you’re committed to the movement and committed to the celebration of the full community."

Why listen?

This episode celebrates boundary-breaking creativity and real inclusion in the arts. If you care about cultural transformation, diverse storytelling, and discovering what ballet can become when everyone is invited, tune in for inspiration. Don’t miss it—listen to the full episode at Inclusion Bites Podcast.

LinkedIn Poll Context

In Episode 204 of Inclusion Bites, “Centering the Margins,” Joanne Lockwood explored with Nena Gilreath the transformative impact of blending traditional ballet with African dance and culture through Ballethnic. Their discussion challenged the classical ballet paradigm—expanding it to embrace diverse bodies, cultural narratives, and greater belonging on and off stage.

Reflecting on this episode: What do you believe is the most important factor in making the arts truly inclusive?

Poll Options

• 🌈 Diverse representation

• 🩰 Blending traditions

• 🤝 Accessible opportunities

• 💬 Community engagement

Why Vote?

Your perspective drives the conversation on creating truly equitable art spaces. Vote to help arts organisations see what matters most for meaningful inclusion.
#InclusionBites #Belonging #ArtsInclusion #DiversityMatters

LinkedIn Post

Just tuned into "Centering the Margins" on the Inclusion Bites Podcast with Joanne Lockwood & Nena Gilreath — and what an energising conversation! 🎧✨

Inclusion isn't a theoretical aspiration, it's about dismantling old paradigms to make every body visible, valued and celebrated.

The way Nena Gilreath recounted decades of challenging norms in ballet, whilst centring Black excellence and cultural truth, should be a provocation for us all in HR and EDI:
Are we holding space for real belonging—or simply inviting "diversity" into a status quo that refuses to shift? 🩰🌍

Their radical innovation reminds us:
⚡️ True lasting impact means dismantling stereotypes and learning from the margins
⚡️ Our policies must evolve from listening to those who have historically been excluded
⚡️ Joy, expression and authenticity must sit at the heart of every culture transformation

Feeling inspired to centre new voices, rethink what inclusion feels like, and redefine what legacy we want to leave in our organisations.

Powerful listen for every HR & EDI professional.
#Inclusion #Belonging #Diversity #EDI #HRLeaders #Transformation

🔗 https://seechangehappen.co.uk/inclusion-bites-listen

Key Takeaways for Senior Leaders, HR & EDI Professionals

Insights Uncovered

• Reimagining Gatekeeping in the Arts 🎭
  Nena Gilreath challenges the entrenched idea that only certain demographics or “body types” belong on stage, offering concrete evidence that inclusion drives both artistic innovation and audience engagement 00:12:08, 00:24:15.

• Inclusivity is a Strategic Choice, Not an Afterthought 💡
  The success of Ballethnic shows that actively centring the margins—inviting underrepresented communities to both perform and attend—leads to wider, loyal audiences and deeper social impact 00:28:08, 00:29:18.

• Transforming Representation Beyond “Diversity Month” 🌍
  The discussion surfaces the “aha” that many organisations still default to tokenistic inclusion (e.g., only seeking Black artists for Black History Month), rather than embedding EDI into year-round strategy 00:51:10.

• Community-Led Storytelling Fuels Authenticity 📢
  Letting communities tell their own stories, with their own bodies and histories, fosters authenticity and can address disengagement with “traditional” offerings 00:54:19, 00:56:49.

• Challenging Definitions of ‘Talent’ and Success 🏆
  The expanded view of talent to include all ages, abilities, backgrounds, and body types is not just ethical—it improves creativity, innovation and well-being in practice 00:32:34, 00:34:01, 00:34:54.

“Aha Moments”

• Are existing policies reinforcing exclusion whilst paying lip-service to diversity?

• Is your definition of ‘talent’ or ‘fit’ unconsciously narrowing your recruitment pipeline?

• Could your organisation’s products or services be more innovative if you truly centred marginalised voices?

• What constitutes ‘excellence’ or ‘success’ in your culture? Who decided this, and can it be challenged?

What Should Leaders Do Differently?

• Broaden the Gateways 🌱
  Review recruitment, promotion, and participation criteria—whose brilliance is systematically sidelined by the limits of your “mould”? Implement pathways for alternative talent and non-traditional candidates.

• Codify Year-Round Inclusion 📅
  Move away from seasonal or event-driven diversity. Integrate authentic inclusion into strategy, not just communications calendars.

• Invest in Community Storytelling 🗣️
  Provide spaces and resources for lived experience to shape culture, not just contribute to surface-level campaigns.

• Redefine Performance Metrics 📊
  Question if your organisation’s metrics for excellence reinforce exclusivity. Adopt broader, community-informed measures of value.

• Champion Authentic Belonging 🏳️‍🌈
  Foster environments where individuals are not required to fit the dominant aesthetic, narrative, or behavioural norms to be valued.

Recommended Social Hashtags

#EDILeadership
#InclusionByDesign
#BelongingAtWork
#AuthenticRepresentation
#BreakTheMould

Social Video Title:
Why Inclusive Dance Matters: Centring Margins, Shattering Stereotypes #Inclusion #Representation

Suggested Hashtags:
#InclusiveDance #RepresentationMatters #Belonging #CentredOnTheMargins #DiversityInTheArts

Text on screen (Beginning):
Breaking Barriers in Ballet 🎭

Script:

Have you ever wondered what happens when you shatter old dance moulds and centre the margins instead? Let’s talk about why this shift in the world of ballet is so powerful.

Text on screen:
Who Decides Who Belongs? 🩰

Traditionally, ballet’s been the preserve of very specific body types, cultural histories, and, if we’re honest, a touch of elitism. But imagine a stage where every body type, every background, and every story not only belongs but is celebrated.

By weaving classic ballet with African dance, R&B rhythms, and the lived-experiences of marginalised communities, you create something electric—a space where everyone sees themselves reflected.

Text on screen:
Accessibility for Every Body ✨

This approach is about more than dance steps. It’s an open invitation. Dancers of all ages and abilities, from age five to eighty, get to own the stage. Neurodivergent, physically different, or never fitted the so-called ‘ballet body’? This space welcomes you—because movement is for everyone.

Text on screen:
Culture Meets Innovation 🌍

It’s not just about technique; it’s about storytelling. Communities bring their own culture, legacy, and innovation to the art. African, Asian, and Western forms blend together to form vibrant new narratives, showing that the arts can, and must, evolve to stay relevant and authentic.

Text on screen:
Breaking Stereotypes, Creating Change 💥

Yes, there are still barriers: from lack of funding to persistent stereotypes and being limited to ‘diversity’ events. But the lesson here? If you can no longer fit the mould, break it. Make room. Invite others in. That’s how change lives and breathes in our communities.

Text on screen:
Your Move: Centre the Margins ⚡

If you want to see the world look different, support work that champions diversity—not as a token, but as the new normal. Show up. Share. Celebrate what happens when everybody gets to dance.

Thanks for watching! Remember, together we can make a difference. Stay connected, stay inclusive! See you next time. ✨

## Specialist Concepts, Words, and Phrases

- **Centering the Margins**  
  *Implied definition*: Focusing on individuals and communities traditionally excluded or marginalised, and repositioning their experiences at the forefront of the artistic and societal conversation.

- **Ballethnik**  
  *Implied definition*: A portmanteau of "ballet" and "ethnic," representing a dance form that fuses classical ballet technique with African and other ethnic dance traditions, centring Black excellence and cultural expression.

- **Ethnic Ballet**  
  *Implied definition*: Ballet practice and performance that integrates movement styles, rhythms, and cultural aesthetics from African or other non-European traditions.

- **Legacy and Possibility**  
  *Implied definition*: The creation of a sustained impact and setting the groundwork for future generations, particularly for Black dancers where spaces and opportunities were historically denied.

- **Port de bras**  
  *Implied definition*: Traditionally a ballet term meaning "carriage of the arms," here referenced as part of ballet’s strict technical language and used as a foundation for further stylistic innovation.

- **Sur la pointe**  
  *Implied definition*: The ballet technique of dancing on the tips of the toes, usually with specially designed shoes; a symbol of advanced technical proficiency.

- **Undulation (of the hips and ribs)**  
  *Implied definition*: Fluid, wave-like movement of the torso, particularly associated with African dance and integrated here with classical ballet lines.

- **Polyrhythmic juxtaposition**  
  *Implied definition*: The simultaneous use of multiple contrasting rhythms in the body, especially combining the grounded, rhythmically complex movements of African dance with the upright, linear structure of ballet.

- **Groundedness (in dance)**  
  *Implied definition*: The quality of movement based in a lowered centre of gravity, in contrast to the lightness and verticality of classical ballet; a hallmark of African and many other non-European dance forms.

- **Body stereotypes (ballet body)**  
  *Implied definition*: The prevailing assumption that only certain slim, linear physiques are suitable for ballet, a construct being actively challenged in this context.

- **The Village (as metaphor for Community)**  
  *Implied definition*: Using the image of a village in the "Leopard Tale" ballet to symbolise inclusive, cross-generational community, where all body types and backgrounds participate.

- **Big Mama (narrative character)**  
  *Implied definition*: A storytelling device—a grandmother-like figure used to introduce and contextualise the ballet narrative for audiences unfamiliar with the form, making the story accessible.

- **Neurodiversion**  
  *Implied definition*: Embracing neurodiversity—people whose neurological development is outside the typical range—within the structure of dance classes and performances.

- **Integration of Live Drumming**  
  *Implied definition*: The incorporation of live African drumming within ballet performances to create an immersive, rhythmically dynamic environment.

- **Cultural Olympiad**  
  *Implied definition*: An arts festival associated with the Olympic Games, highlighting global and cross-cultural artistic representation.

- **Succession Plan**  
  *Implied definition*: A strategic approach to passing organisational leadership to the next generation, ensuring continuity and sustainability for Ballethnik.

- **Archivist / Digitisation**  
  *Implied definition*: The process of preserving the organisation’s legacy by storing, cataloguing, and converting historic performances and documents into digital formats for posterity and accessibility.

- **Elitism in Ballet**  
  *Implied definition*: The traditional exclusionary attitude and structures in ballet, prioritising certain backgrounds, body types, and training, challenged by the Ballethnik approach.

Focus Keyword: Positive People Experiences

Title

Unleashing Positive People Experiences: Ballethnic, Culture Change & Authentic Belonging | #InclusionBitesPodcast

Tags

Tags: Positive People Experiences, inclusion, diversity, culture change, ballet, Ballethnic, black excellence, Nina Gilreith, Joanne Lockwood, belonging, representation, culture shift, accessible arts, community dance, wellbeing, intersectionality, arts leadership, authenticity, body positivity, adaptive dance, neurodiversity, storytelling, inclusive ballet, rhythm, transformation, SEE Change Happen

Killer Quote

Killer Quote: "We define a ballet body as a body that knows how to do ballet, but knows how to move effectively in space and creates excitement. Who cares if you have a stick thin body that's not exciting to watch, where you had these curvier bodies of all sizes?" – Nina Gilreith

Hashtags

Hashtags: #PositivePeopleExperiences, #CultureChange, #InclusionBitesPodcast, #SEEChangeHappen, #Ballethnic, #Inclusion, #Diversity, #RepresentationMatters, #AccessibleArts, #BodyPositivity, #RhythmAndMovement, #CommunityLeadership, #TransformativeCulture, #Neurodiversity, #Belonging, #DanceInnovation, #ArtsForAll, #Wellbeing, #Storytelling, #Authenticity

Why Listen

Welcome to the Inclusion Bites Podcast, where we spark culture change through authentic, bold conversations and showcase Positive People Experiences in action. In this visionary episode, I, Joanne Lockwood, sit down with the trailblazing Nina Gilreith—co-founder of the transformative Ballethnic Dance Company. Together, we pull back the velvet curtain on the world of dance to reveal how true inclusion and belonging can ignite not only art, but community, legacy, and self-belief.

Are you curious about what it genuinely takes to move beyond the surface of diversity and inclusion? Do you long to witness what happens when art forms like ballet—often tethered to tradition, elitism, and exclusion—are democratised and reimagined to centre black excellence and the lived realities of all intersectional identities? This is your invitation to step into a narrative where “Positive People Experiences” fuel palpable “Culture Change,” not just for those on stage, but every person in the audience and the wider community.

Nina’s journey, alongside her husband and creative partner, Waverly, is one of resilience, resistance, and creative joy—a thirty-five year odyssey where they refused to conform to restrictive norms which dictated who could dance, what bodies were 'acceptable', and silenced joy with the expectation of stoic, emotionless performance.

By blending the disciplined structure of classical ballet with the grounded freedom of West African dance, rhythmic R&B, and contemporary social vernacular, Ballethnic has rewritten what it means to belong in this elite artform. Gone are the days when ballet demanded assimilation and self-erasure. Here, joy, authenticity, and collective storytelling are just as important as technical mastery. Nina eloquently shares the genesis of “Ballethnic”—from standing in the wings during Swan Lake, imagining a stage where R&B swayed hips and ballet toes co-existed, to realising that vision in the heart of Atlanta’s vibrant black community.

Listeners will discover how these Positive People Experiences extend beyond performers to community members—children, elders, and those too often relegated to the margins in both arts and society. By intentionally including people of all sizes, backgrounds, abilities, and neurotypes, Nina’s Ballethnic performs radical culture change, rendering visible the truth that excellence is unbound by traditional moulds or stereotypes.

We also grapple with the sobering reality of the barriers that persist. From funding inequities and being dismissed as a ‘diversity project’ to the isolating experience of only being called upon for Black History Month, Nina’s candour offers a toolkit for advocacy and staying true to your mission, even when the system resists transformation.

But this episode is not just exposé—it’s an exuberant celebration. Hear how a performance of the Leopard Tale ends not in polite applause but in a communal, immersive eruption of rhythm and movement, dissolving the artificial divide between performer and spectator. Conclude the hour not only with a richer understanding of inclusion in dance, but fired with practical hope for actual cultural transformation in any sphere.

If you are invested in culture change—whether you are an executive, a DEI leader, an artistic director, educator, or simply an ally eager to foster more ongoing Positive People Experiences—this conversation will equip, challenge, and inspire you anew. Inclusion is not a buzzword or a one-off event. When embodied systematically—through transparent recruitment, community outreach, artistic risk-taking, and sustainable succession—it becomes a movement that centres the margins and reshapes the mainstream.

Listen for practical strategies, intimate stories, and game-changing wisdom about the power of authenticity, visibility, and joy as instruments of Culture Change. Whether you are sipping your morning coffee, reflecting on your own culture, or seeking innovative models for belonging, Unleashing Positive People Experiences will give you the roadmap and the motivation to move boldly towards a world where everyone—regardless of heritage, body, or background—can thrive and contribute creatively.

Closing Summary and Call to Action

This episode of Inclusion Bites Podcast offers a blueprint not just for performance innovation, but for embedding Positive People Experiences and driving authentic culture change in your own context. Here are the key learning points and actionable insights, distilled for you:

1. Redefining Excellence and Inclusion in the Arts

   • Challenge preconceived notions about who belongs and who is allowed to excel.

   • True inclusion means stepping beyond tokenistic diversity into structurally equitable opportunity and visibility.

2. Celebrating Body Positivity and Diverse Identities

   • Celebrate every body: excellence is not confined to one size or shape.

   • Value the power of representation—for black women, for Asian dancers, for neurodivergent movers, and for every intersectional identity.

3. Interrogating Tradition and Embracing Evolution

   • Question traditions that serve as mechanisms of exclusion.

   • Find ways to honour the discipline of an art form whilst reimagining its boundaries, infusing it with lived experiences and contemporary meaning.

4. Building Community and Lasting Legacy

   • Culture change is not an individual performance—it is community making.

   • Engage families, younger students, and elders in creative projects, making inclusion intergenerational and sustainable.

5. Commitment Beyond Diversity Moments

   • Inclusion must not be confined to awareness months or performative events: demand full integration into year-round programming, funding, and strategic conversations.

6. Transparency, Succession, and Organisational Change

   • Prepare intentionally for future leadership—train the next generation and install transparent succession plans to ensure lasting impact.

   • Use your platform to archive and share knowledge, so that more can build on your legacy.

7. Expanding Global and Intercultural Horizons

   • Seek partnerships across continents and cultures to exchange artistic perspectives and widen the movement’s reach—from West African drums to Aboriginal and Pasifika rhythms.

8. Making Space for All Abilities

   • Welcome performers with physical and learning disabilities, and adapt processes so all may participate meaningfully.

   • Understand that innovation flourishes where everyone has permission to bring their full selves.

9. Emphasising Wellbeing, Joy, and Long-term Participation

   • Prioritise joyful expression, not just technical perfection.

   • Recognise the public health benefits of long-term movement and community engagement—the science is clear: moving together, across generations, is vital to health and belonging.

10. Leveraging Storytelling as a Vehicle for Social Change

    • Use artistic storytelling to educate, challenge, and inspire new ways of seeing ourselves and each other.

    • Performances like Urban Nutcracker and The Leopard Tale are not mere entertainment, but communal education and collective celebration.

Actionable Insights:

• Audit your own workplace or organisation for opportunities to centre Positive People Experiences: Whose voices are missing? Which traditions hold back new stories and new people?

• Reorient programming and hiring towards long-term, integrated culture change, not quick wins.

• Support and fund projects and companies like Ballethnic who are leading change on the ground.

• Elevate and share stories of authentic inclusion and joy—invest in community engagement, not just audience numbers.

• Encourage participants and audience alike to move, respond, and co-create—dissolve the boundary between ‘observer’ and ‘maker’.

• Archive, document, and digitally share innovative work for future generations, ensuring the legacy endures and expands.

Whether in the arts, in the boardroom, or in your community, the principles in this episode—resilience, authenticity, radical celebration—are universally applicable. Positive People Experiences are not the result of chance, but of conscious, persistent, and collective commitment to culture change. Let this episode be your call to centre the margins and turn inclusion from a concept into daily lived reality.

Outro

Thank you, the listener, for tuning into another episode of Inclusion Bites Podcast. If you've been inspired by our pursuit of Positive People Experiences and culture change, please like, subscribe, and share this channel—so our community can keep growing and driving authentic transformation.

To discover more thought-provoking discussions and resources, visit:

• SEE Change Happen website

• The Inclusion Bites Podcast

Stay curious, stay kind, and stay inclusive - Joanne Lockwood

Root Cause Analysis: Key Problems in "Centering the Margins"

Key Problem Identified

Systemic exclusion and underrepresentation of Black and non-traditional bodies and stories in the world of ballet and mainstream performing arts.

1. Why does this problem exist?

Because traditional ballet institutions, performances, and training environments are predominantly shaped by Eurocentric ideals (body types, narratives, aesthetics), resulting in exclusionary practices and a lack of resonance for Black dancers and diverse communities 00:06:16.

2. Why are Eurocentric ideals so dominant in ballet?

Because ballet's evolution in the Royal Courts of Europe established standards of "perfection," including specific body shapes, pale skin, rigid technique, and elitism, codified into teaching methods, repertoire, and audience expectations. This codification excluded dancers who did not fit the narrowly defined norm 00:13:16.

3. Why did these exclusionary codifications persist across generations?

Because those in power—artistic directors, funders, critics—continued to reinforce these standards, rewarding conformity and assimilation, while discouraging innovation or deviation. Access to training, funding, and performance opportunities remained closed for those outside the majority group 00:48:07.

4. Why do those in power maintain restrictive access and standards?

Because systems of privilege and bias embedded in society at large reproduce themselves in the arts, where risk aversion, institutional racism, and a narrow view of "artistic excellence" reinforce the status quo. There is societal reluctance to cede authority, status, or resources to those who challenge existing norms, especially in predominantly white spaces 00:47:51.

5. Why is there such reluctance and slow progress towards true inclusion?

Because structural racism and bias are normalised and often invisible to those who benefit from them; discomfort with change, lack of awareness, and resistance to redistributing power or engaging authentically with different cultural perspectives persist. This inhibits not only artistic innovation but also genuine social transformation 00:49:05.

Summary of Findings

The root cause of underrepresentation and exclusion in ballet traces ultimately to entrenched Eurocentric and elitist values, reinforced structurally and culturally through institutional inertia, societal racism, and centralised power. The artistic canon and "ideal" dancer are policed not only by tradition, but by active gatekeeping. This leads to lack of visibility, opportunity, and recognition for diverse talents and storeys, stifling the field's relevance and vibrancy.

Potential Solutions

1. Redefine Ballet Excellence

   • Expand the artistic canon and standards to include and celebrate diverse body types, cultural narratives, and technical styles, as championed by ballethnic's model 00:12:11, 00:12:41.

2. Decentralise Gatekeeping

   • Diversify leadership, boards, adjudication panels, and funders so that multiple perspectives are truly present and wield decision-making authority 00:11:48, 00:49:32.

3. Redistribute Resources

   • Ensure equitable access to funding, training facilities, and performance spaces for underrepresented companies and artists. Do not restrict support to "special events" like Black History Month, but provide ongoing investment 00:51:56.

4. Challenge Societal Narratives

   • Centring community storeys, affirming local identities, and using art to actively challenge stereotypes and transform perceptions about who belongs in ballet 00:54:19.

5. Build Succession and Legacy

   • Proactively mentor, train, and elevate the next generation to ensure sustainability, rather than one-off inclusion 00:58:13.

6. Instil Audience Education and Engagement

   • Transform audience expectations through immersive, inclusive programming and education, creating demand and genuine appreciation for new narratives 00:43:20, 00:29:05.

Conclusion:
Addressing deeply rooted exclusion in ballet requires intentional, ongoing deconstruction of restrictive norms and redistribution of power and opportunity. Models centred on diversity, such as ballethnic, prove both socially necessary and artistically innovative—offering a blueprint for systemic change and genuine inclusion.

Slide 1

Who Decides Who Belongs in Ballet?

Is the stage truly open to every body, culture, and story?

Slide 2

Meet the Changemaker

Joanne Lockwood sits down with Nena Gilreath: co-founder of Ballethnic, a company redefining ballet by centring Black excellence, authenticity, and freedom of expression.

Slide 3

Breaking the Mould

Traditional ballet was built on narrow ideals—body, race, story. Nena Gilreath and her community dared to ask:
What happens when you blend African dance, R&B, and all bodies into ballet?
Spoiler: The result is revolutionary joy and true belonging.

Slide 4

Stories from the Margins

From challenging stereotypes and elitism to inviting all generations and abilities on stage, this conversation explores how Ballethnic ignites culture, disrupts norms, and empowers underrepresented voices—one powerful performance at a time.

Slide 5

Ready to Reimagine Inclusion?

🎧 Listen to “Centering the Margins” on Inclusion Bites.
Challenge what you think you know about ballet, and discover how real change comes from the edges.

🔗 Catch the episode now!
#LinkInBio
#InclusionBites #BalletForAll #CenterTheMargins

Centering the Margins: Rethinking Inclusion and Ballet

Meta Description: Explore how inclusion transforms ballet and society, as we journey through the artistry, challenges, and innovative evolution shared by Nina Gilreith of Ballethnic and Joanne Lockwood on the transformative power of centring the margins.

When I sat down with Nina Gilreith, co-founder of Ballethnic, I realised I was in for much more than a mere discussion about dance. Our connection dove deep—unearthing storeys of bold transformation, joyful resistance, and the power of inclusion to disrupt artistic and societal norms. I want to take you inside that dialogue, highlighting the six pivotal topics that left me moved, challenged, and inspired. The wonder of inclusion is far richer than the tick box; it’s alive, expressive, and energetic—and that’s precisely what Nina brings to everything she touches.

1. The Evolution of Ballethnic: Crafting Inclusion Through Movement

Nina’s journey begins within the confines of classical ballet—where belonging wasn’t designed for black artists, and where most couldn’t even imagine seeing themselves on such a stage. Together with her husband, Nina set out to challenge this legacy, founding Ballethnic with a determination to blend the structure of ballet with African dance and black cultural expression [00:06:28]. A point of curiosity: What happens when finely tuned ballet lines meet undulating hips and shoulders, or when the stillness of ballet is set alight by R&B rhythms?

I was struck by how this was never just about representation. It was Nina’s superpower: “holding the line” for black dancers, crafting possibility where there was none before [00:01:42]. The inclusion Nina advocates is an act of cultural restoration. She challenges the ballet establishment to reimagine who belongs and whose storeys are told, proving that inclusion is an art form in itself.

2. The Anatomy of Traditional Ballet and the Need for Change

We delved into what makes ballet, ballet: the rigid costumes, the elongated limbs, the pointed toes, and the meticulous technique [00:13:10]. But for whom was this art form created—and who has been asked to squeeze themselves into its narrow moulds? Nina invited us to question not only the form, but the ideology underpinning it. Why does “ballet body” still mean something so exclusive? [00:11:46]

Nina’s reflections have stayed with me: If the grace of ballet is not extended to every body, every culture, every identity, what is the point of “grace” at all? The journey towards inclusion asks us, quite simply, to redefine excellence.

3. Blending Styles and Cultures: From Swan Lake to Leopard Tail

Now comes the magic. By fusing ballet with African, R&B, and various world music traditions, Nina and Ballethnic offer a living example of inclusion in action [00:17:24]. Imagine: muscular control and discipline meeting the fluid freedom of the trunk and hips; a stage alive with curvier bodies, larger hair, wider smiles—all in tight, animal print catsuits celebrating the leopard’s agility in “Leopard Tail” [00:18:28]. The visceral joy Nina describes exudes the very thing so often missing from conventional ballet—connection.

Here’s my curiosity: What does it do to an art form when the energy of everyone—regardless of age, shape, or background—joins in? The result is not just “inclusive ballet,” but an entirely new vernacular of movement and storytelling [00:34:01].

4. Uncovering Barriers: Prejudice, Stereotypes, and the Fight for Resources

The path to inclusion is rarely smooth. Nina shared hard truths about funding obstacles, societal prejudices, and gendered assumptions—like always handing “the man” the cheque, ignoring her leadership [00:48:07]. More pointedly, she recounted how greater Atlanta would summon Ballethnic only for celebratory “diversity” events, but not for their artistry year-round [00:48:51].

Do we only want inclusion on our own terms? Nina calls on us to champion artists and communities beyond prescribed seasons or surface gestures. There is a quiet courage in her continued advocacy for equal resources, recognition, and genuine belonging.

5. Intergenerational and Accessible Inclusion: Dancing at Every Stage of Life

One of the most joyful revelations was how Ballethnic welcomes dancers aged five to 81 and beyond [00:32:43]. Their productions feature older adults, children, neurodivergent artists, and those whom mainstream ballet would sideline. There are roles for everyone, including “Professor Isaac’s entourage” and community elders who prove the health benefits of movement extend far beyond the young and lithe [00:33:04].

Curious about what inclusion looks like in practice? Picture the finale of “Leopard Tail”: a circle stretching across the generations, moving in euphoric synchrony, drummers alive, everyone—audience included—caught up in collective celebration [00:43:41]. This, for me, is the true heart of inclusion.

6. Storytelling and Global Expansion: Shaping a New Canon for Inclusion

Finally, Nina’s vision stretches well beyond Atlanta. She recounted performances at the Cultural Olympiad, collaborations with artists from Burkina Faso, and a passionate drive to digitise and archive their legacy for future generations [01:00:14]. With every new narrative—whether about African roots, migration, or universal themes—Ballethnic shows how inclusion is an ever-expanding, ever-evolving force [00:57:35].

Imagine inclusion not as a fixed destination, but as a global conversation—one that continually absorbs new influences, celebrates every participant, and generates joy and curiosity. Where could you see this movement going next? The answer, perhaps, is only limited by our willingness to imagine, and to include.

Inclusion—Alive, Expressive, Limitless

My conversation with Nina taught me that inclusion is not just an initiative; it is a living, creative pulse that runs through every meaningful transformation. When we centre the margins, we do not simply make space—we expand what the stage of possibility can hold. I’m left, still, with questions, excitement, and a vision for inclusion that dances far beyond the overture.

If you’re ready to be inspired by inclusion in all its dimensions, I invite you to join the movement—jump in with both feet, hips, and heart. Let’s keep the rhythm alive.

For more, listen and connect at SEE Change Happen – Inclusion Bites Listen and drop me an email at jo.lockwood@seechangehappen.co.uk to share your thoughts, your storeys, or simply to keep this vital conversation moving forward.

Centering the Margins: Ballet Like You’ve Never Seen It

What happens when you blend the power of Black excellence, African roots, and ballet that defies the mould? 💥 Join Joanne Lockwood and Nena Gilreath as they flip the script on tradition—celebrating ALL bodies, ALL backgrounds, and pure cultural joy. From pointe shoes to leopard tales, it’s inclusion in motion. Ready for a taste of a new kind of stage? 🎭✨

See more, hear more, and challenge EVERYTHING you thought about belonging:
👉 Inclusion Bites Podcast – Listen Now

#Inclusion #Diversity #BalletUnfiltered #CulturalJoy #InclusionBites #CenterTheMargins

Slogans, Soundbites, Quotes, and Hashtags

1. "Centering the Margins"

• AI Image Prompt:
  A vibrant, energetic dance silhouette set on a dynamic stage that gradually transforms from the edges towards a bright, illuminated centre. Diverse dancers, various body types, and expressive movement blend classical ballet posture with the vibrancy of African dance. Bold, modern text overlays the scene: “Centering the Margins”.

2. "Joy Has to Be Expressed"

• AI Image Prompt:
  A joyful dancer mid-leap, face radiant with a huge smile, hands reaching upwards. The setting is colourful and abstract, with musical notes and waves of colour radiating outwards, illustrating exuberant motion. Large, expressive lettering overlays: “Joy Has to Be Expressed”.

3. "Every Body Matters"

• AI Image Prompt:
  Dancers of all shapes, sizes, and backgrounds stand arm in arm, centre stage, in a proud tableau. Each dancer is dressed in vibrant costumes reflecting both ballet and African influences. The phrase “Every Body Matters” curves above in inclusive, bold script.

4. "We Define Ballet Bodies"

• AI Image Prompt:
  A line-up of powerful, confident dancers, each with unique forms, standing en pointe. Afro-textured hair, cornrows, and natural hairstyles mix with expressive movement and classical poses. Artistic typography proclaims: “We Define Ballet Bodies”.

5. "Real Moves. Real People. Real Stories."

• AI Image Prompt:
  Three strong, portrait-style illustrations: one dancer stretching on pointe, one in mid-African undulation, and one in expressive streetwear. Faces show authenticity and emotion, set against a rich, textured backdrop of fabric patterns and theatre lights. Tagline below: “Real Moves. Real People. Real Stories.”

6. "Ballet with a Pulse"

• AI Image Prompt:
  A dancer with a bare foot and a pointe shoe, each on one leg, standing in a heartbeat-shaped spotlight. Drum silhouettes and music waveforms blend with classic ballet motifs in the background. Dynamic block lettering: “Ballet with a Pulse”.

7. "From the Margins to Centre Stage"

• AI Image Prompt:
  A group of dancers is emerging from shadowed edges into the centre of a spotlight-lit stage, their forms growing more colourful and powerful as they progress inward. The energetic script overlays the top: “From the Margins to Centre Stage”.

8. "Move. Merge. Celebrate."

• AI Image Prompt:
  Three dancers form a circle, their costumes blending classical tutus with vibrant African prints. Their movements interlace like a Venn diagram, illuminated by golden spotlights. Modern celebratory font: “Move. Merge. Celebrate.”

9. #UndulateTheMould

• AI Image Prompt:
  A single dancer’s wavy silhouette breaks through the strict, straight lines of a classical ballet grid. The background explodes with bright colour undulations and traditional patterns, with the hashtag bold at the bottom: “#UndulateTheMould”.

10. "We Will Still Be Black in March"

• AI Image Prompt:
  A calendar page flipping from February to March, with a bold, confident dancer holding a raised fist and a ballet shoe. The background is powerful, warm, and unapologetic. The text is strong and elegant: “We Will Still Be Black in March”.

Hashtags for Stickers and Social Media

• #CenteringTheMargins

• #EveryBodyMatters

• #JoyExpressed

• #BalletWithAPulse

• #RedefiningBallet

• #MoveMergeCelebrate

• #FromMarginsToCentre

• #UndulateTheMould

• #BallethnicBold

• #RealMovesRealPeople

These designs blend visibility and empowerment, ensuring merchandise invites conversation and celebration of inclusion, movement, and belonging.

In this month’s feature episode, Centering the Margins, Nena Gilreath joins Joanne Lockwood on The Inclusion Bites Podcast to ignite a conversation about redefining the boundaries of ballet and belonging. As co-founder of Ballethnic Dance Company, Nena Gilreath has spent over three decades reshaping classical dance to centre Black excellence, cultural authenticity, and community spirit.

Through her journey, Nena Gilreath illustrates the power of dance as both individual expression and collective celebration. Ballethnic’s approach blends the discipline and tradition of classical ballet with the vibrancy, groundedness, and storytelling of African and African-American dance. This fusion disrupts restrictive norms around who belongs on stage—challenging the narrow standards of body type, identity, and presence typically associated with ballet.

Nena Gilreath shares how Ballethnic’s evolution has foregrounded inclusivity—not only in its movement vocabulary but in its commitment to representing all bodies, ages, abilities, and backgrounds. From the "Leopard Tale" to the Urban Nutcracker, their productions serve as powerful metaphors for liberating the body and spirit, inviting the whole community into the narrative.

With Joanne Lockwood, Nena Gilreath discusses the challenges of navigating stereotypes, gatekeeping, and the persistent expectation to be visible only at the margins of the arts sector. Together, they explore what it takes to claim space, create legacy, and move beyond performative representation—insisting that inclusion must be everyday, not occasional.

This episode is a celebration of dance as activism and a blueprint for centring the margins in every sphere of life. For anyone determined to question whose stories are told and who gets to flourish, Nena Gilreath offers both inspiration and a bold invitation to reimagine belonging.

YouTube Description: Centering the Margins – Inclusion Bites Podcast (Ep. 204)

"If you think ballet is all white tutus and rigid tradition, it's time to change your perspective."

Dive into a compelling conversation on the Inclusion Bites Podcast as Joanne Lockwood sits down with Nena Gilreath, co-founder of Ballethnic Dance Company, for Episode 204: Centering the Margins. Together, they shatter expectations and reveal how ballet can become a dynamic, inclusive space that truly reflects our diverse world.

What if ballet could centre black excellence, celebrate all body types, and empower true cultural expression?
In this episode, discover:

• The origins of Ballethnic Dance Company’s unique blend of ballet and African dance concepts

• How challenging body stereotypes and elitism expands the art form’s reach

• Why centring marginal voices is essential for creating enduring legacy and belonging

• The power of movement to transform health, confidence, and community cohesion at any age

Insightful, provocative, and uplifting – this conversation will make you rethink what inclusion looks and feels like, both on and off stage.

Reflect on how dance can shape identity, belonging and collective joy – inspiring you to:

• Advocate for representation and diversity in all creative spaces

• Challenge assumptions about who gets to participate in traditional art forms

• Support inclusive organisations that broaden cultural narratives

• Embrace your own physicality, creativity and lifelong learning through movement

Take Action:
Visit ballethnic.org to learn more, watch their remarkable performances, and share your story or feedback with Joanne Lockwood at jo.lockwood@seechangehappen.co.uk. Subscribe to the Inclusion Bites Podcast for more thought-provoking episodes disrupting norms.

#Hashtags
#InclusionBites #Ballethnic #BlackExcellence #DiversityInTheArts #BodyPositivity #CulturalBelonging #DanceInclusion #RedefiningBallet #CommunityThroughDance #SocietalChange

Let this episode be your spark to think, feel and act more inclusively — igniting transformation, one conversation at a time.

Listen now: https://seechangehappen.co.uk/inclusion-bites-listen

Quiz: Inclusion Bites Podcast – Centreing the Margins

Based exclusively on the recordings from Joanne Lockwood

Questions

1. What is the primary focus of the Inclusion Bites Podcast as described by Joanne Lockwood?
   A) Business entrepreneurship
   B) Inclusive cultures and nurturing belonging
   C) Sport and leisure activities
   D) Technical innovations

2. According to Joanne Lockwood, what role does the podcast play for its audience?
   A) Offers technical training
   B) Provides recipes and cooking tips
   C) Serves as a sanctuary for bold, transformative conversations
   D) Hosts musical competitions

3. How does Joanne Lockwood typically engage the listeners at the start of each episode?
   A) With a musical number
   B) By inviting them to reflect and inspire action
   C) By telling a fictional story
   D) With a sports update

4. What encouragement does Joanne Lockwood provide to listeners who want to participate further?
   A) “Submit a donation”
   B) “Reach out via email to share insights or join the show”
   C) “Send in their dancing videos”
   D) “Sign up for our newsletter”

5. In episode 204, what topic does Joanne Lockwood introduce alongside the episode’s guest?
   A) Climate science
   B) Centreing black excellence and cultural truth in ballet
   C) The history of jazz music
   D) Computer programming for beginners

6. Throughout her introduction, what sentiment does Joanne Lockwood convey about inclusion?
   A) That it is only for elite professionals
   B) That everyone deserves to feel they belong and thrive
   C) That it is a short-term project
   D) That it is a divisive concept

7. Joanne Lockwood compares what aspect of the UK to Georgia, USA, during her introduction?
   A) The music scene
   B) Weather conditions
   C) Fashion styles
   D) Technology companies

8. How does Joanne Lockwood frame the transition into the conversation on inclusive ballet?
   A) She dismisses traditional ballet entirely
   B) She highlights the need for new outlets for those not fitting the “Swan Lake view”
   C) She mandates strict traditional forms
   D) She focuses on commercial dance only

9. What method does Joanne Lockwood use to add relatability and warmth to the show in the introduction?
   A) Telling jokes about cats
   B) Referencing everyday routines like morning coffee
   C) Giving dieting advice
   D) Narrating bedtime stories

10. According to Joanne Lockwood, what should a listener do if they wish to make their voice heard on the podcast?
    A) Call the show live
    B) Reach out via the provided email address
    C) Submit a written essay
    D) Show up at the studio unannounced

Answer Key & Rationale

1. B) Inclusive cultures and nurturing belonging
   Rationale: Joanne Lockwood describes the podcast as delving into inclusive cultures and nurturing belonging.

2. C) Serves as a sanctuary for bold, transformative conversations
   Rationale: The host welcomes listeners to their “sanctuary for bold conversations that spark change”.

3. B) By inviting them to reflect and inspire action
   Rationale: She prompts listeners to “connect, reflect, and inspire action together.”

4. B) “Reach out via email to share insights or join the show”
   Rationale: Listeners are encouraged to contact her via email for insights or participation.

5. B) Centreing black excellence and cultural truth in ballet
   Rationale: The episode and guest are introduced in the context of reshaping ballet to centre black excellence, belonging, and cultural truth.

6. B) That everyone deserves to feel they belong and thrive
   Rationale: Joanne Lockwood questions “what it takes to create a world where everyone belongs and thrives.”

7. B) Weather conditions
   Rationale: She remarks on British weather and asks the guest about Georgia’s weather.

8. B) She highlights the need for new outlets for those not fitting the “Swan Lake view”
   Rationale: The host introduces ballethnic as an outlet for people not fitting the typical mould of traditional ballet.

9. B) Referencing everyday routines like morning coffee
   Rationale: She mentions both morning coffee and winding down after a long day, connecting to the listener’s daily life.

10. B) Reach out via the provided email address
    Rationale: Joanne Lockwood explicitly gives her email for listener participation.

Summary Paragraph

Joanne Lockwood establishes Inclusion Bites as a podcast focused on inclusive cultures and nurturing belonging, serving as a sanctuary for bold, transformative conversations. She opens each episode by inviting listeners to reflect, connect, and inspire action, ensuring her approach feels accessible through touches like referencing daily routines. Listeners are encouraged to participate by reaching out via email to share their insights or join the show. In episode 204, the conversation spotlights centreing black excellence and cultural truth within ballet, particularly for those not fitting the stereotypical “Swan Lake view.” Joanne Lockwood underscores that everyone deserves to belong and thrive and adds relatability by discussing comparisons such as the weather in the UK and Georgia, USA. Ultimately, she makes it clear that all voices are welcome in this inclusive, action-driven community.

Centering the Margins: A Ballet Unbound

On city streets where culture blends,
A fresh new rhythm boldly sends
An open call to every heart
To shape anew the world of art.
No Swan Lake stage of faded rules,
No mirrors echoing the old schools—
Here bodies bloom in every size,
Joy blazing fierce in untamed eyes.

The ballet’s framework—once so tight—
Now pulses with a broader light,
Where leopards leap and village drums
Summon each spirit as it comes.
Not just a slender, silent line
Or stretched-up arms by strict design:
But hips that ripple, shoulders sway,
Expressions dance with freedom’s say.

All colours, cultures, genders meet
And carve their truth with hands and feet;
From pointe shoe’s tip to drummers’ roar,
From toddlers five to elders more.
No costume here that masks the soul—
Just unity, one vital whole.
The lonely sidelined now belong:
A gathered theatre, fierce and strong.

The barriers bent, traditions turned,
By stubborn hope and lessons learned;
Against the odds each dancer grows,
Beneath the lights—resilience shows.
So come and witness, come and learn—
Let spirit spark, let biases burn.
In every story, space and sound,
The margins rise and take their ground.

If this glimpse of change inspires your sight,
Subscribe and share—help spread the light.
With thanks to Nina Gilreith for a fascinating podcast episode.

Key Learning & Takeaway

At the heart of this episode is the imperative to "centre the margins": to not only create space for those historically excluded from ballet, but to fundamentally redefine the art form by integrating diverse bodies, cultures and stories. True inclusion means moving beyond tokenistic representation—embracing difference as a source of power, joy, and communal belonging. As demonstrated through Ballethnic, transformation in the arts emerges when tradition is questioned, new narratives are authored, and all are empowered to participate, express, and thrive.

Point #1: Redefining Ballet—Body, Culture, and Movement

Traditional ballet has enforced rigid ideals of body types, movements and narratives, often to the exclusion of Black dancers and other underrepresented groups. Nena Gilreath and her collaborators have disrupted this by blending classical ballet technique with African dance, R&B, and modern influences, proving that excellence can be rooted in cultural identity rather than conformity.

Point #2: Challenging Elitism through Accessible Storytelling

By localising settings (e.g., "Urban Nutcracker" in Atlanta’s Sweet Auburn Avenue) and centring stories like "The Leopard Tale" and "Flying West", Ballethnic has made ballet accessible, meaningful and engaging to new audiences. Allowing the audience to see their own lives, struggles and joys reflected on stage is key to cultural transformation.

Point #3: Radical Inclusion—All Bodies, All Ages, All Abilities

Ballethnic’s approach is radically inclusive; it welcomes dancers of every size, age, ability, and neurodiversity. Participation is encouraged from the very young to elders in their eighties and beyond, demonstrating that dance can be intergenerational and accessible, and challenging the notion that dance is only for the few.

Point #4: Overcoming Barriers and Building Legacy

The journey has involved surmounting bias in funding, institutional gatekeeping, and the stereotype of ‘only one ballet company per city’. Success was built on perseverance, community, and a rejection of performative inclusion—moving instead toward permanent transformation and succession for the next generation of diverse leaders in dance.

Book Outline – Centred at the Margins: Reclaiming Ballet, Belonging, and Black Excellence

Working Title Suggestions

1. Centred at the Margins: Reclaiming Ballet, Belonging, and Black Excellence

2. From Swan Lake to the Leopard’s Tail: Redefining the Dance Narrative

3. Ballethnic: Building Legacy, Inclusivity, and Cultural Truth in Ballet

4. Bodies in Motion: Inclusion, Resistance, and Community Through Dance

Preface

• Introduction to journey: reshaping ballet, creating space for Black dancers, and challenging old paradigms.

• Statement of intent: a manifesto for inclusive, community-centred, and culturally rooted artistry.

• A brief context for the creation of Ballethnic and the lived experience that inspired a movement.

Chapter-by-Chapter Outline

Chapter 1: The Spark—Reimagining Ballet

Summary:
Lays the groundwork by probing the roots of classical ballet, its elitist and exclusionary history, and what catalysed the drive to launch a new movement. Sets the stage for a narrative of change.

Subheadings:

• The Allure and Alienation of the Classical Canon

• Finding Identity Among the Swans and Giselles

• Mixing it Up: From Social Dancing to Studio Practice

• The Naming: Merging Ballet and Ethnicity

Quote:
“I would always say, where are the Black people? The Black children? Surely there are people like me that would want to be doing this thing.”

Visual Aid:
Timeline of ballet’s evolution, from Royal Court origins to modern fusions.

Interactive Element:
Reflect on a time you recognised a space that did not include “people like you.” What would transformation look like?

Chapter 2: Breaking the Mould—The Practice of Difference

Summary:
Analysis of the structural and aesthetic conventions of ballet. Examines confrontations with body image, movement vocabulary, and inclusivity.

Subheadings:

• The Rigid Body and the Fluid Self

• “What defines a ballet body?” Decolonising Physicality

• From Assimilation to Liberation: The Joy of Expressiveness

• Centring Blackness, Welcoming All

Quotes:
“We decided to just blow the mould out. I love the structure of ballet…but again, once you get to that level of knowledge and proficiency, what’s next?”
“Who cares if you have a stick thin body…we define it as a body that knows how to move effectively in space and creates excitement.”

Real-life Example:
Audiences witnessing dancers of diverse body types, including curvier women and overlooked talents, appreciating exciting new aesthetics.

Visual Aid:
Photo montage illustrating body diversity and costuming evolution in Ballethnic performances.

Chapter 3: Technique and Identity—Form Meets Freedom

Summary:
Delves into the technical underpinnings of ballet juxtaposed with varied dance practices. Investigates how African and Black American traditions were blended with ballet to birth new movement dialects.

Subheadings:

• Foundations: Pointes, Port de Bras, and the Myth of Purity

• The Power of the Trunk: From Rigid Torsos to Undulating Freedom

• Music, Rhythm, and Emotional Resonance

• Technique as Accessible and Adaptive

Quotes:
“That has been really the crux of our work, is taking this body that’s trained in ballet and learning how to move it against both sides.”

Interactive Element:
Prompt: Watch a Ballethnic performance; journal how the use of trunk movement changes the experience of ballet for you.

Visual Suggestion:
Annotated movement diagrams comparing classical and Ballethnic choreography.

Chapter 4: The Community Stage—Centre of Belonging

Summary:
Explores dance’s capacity for community-building and healing. Highlights intergenerational involvement and the radical inclusivity of performances.

Subheadings:

• Audiences Reflected on Stage

• Tradition as Innovation: The Urban Nutcracker and Brown Sugar

• Age, Disability, and Neurodiversity in the Dance Space

• Celebrating Every Body in Motion

Quote:
“We create space for everybody. With Urban Nutcracker…they are older adults that like to dance in the community.”

Real-life Example:
Multi-generational productions featuring dancers from age 5 to 80+, and intentionally designed parts for older movers.

Visual Aid:
Chart showing generational participation and roles in Ballethnic productions.

Interactive Element:
Action Step: Seek out a local art or dance project that includes elders or people of differing abilities—how is the experience different?

Chapter 5: The Leopard’s Tail—Performance as Protest

Summary:
The making and meaning of “The Leopard’s Tail”. Uses this work as a case study in liberation, storytelling, and the power of cultural metaphor.

Subheadings:

• Why the Leopard? Embodied Storytelling and Symbolism

• Embodying Animalness: Technical Demands and Artistic Freedom

• The Politics of Bodies Turning to the Audience

• Shock, Celebration, and Cultural Critique

Quotes:
“Part of the attraction is moving your body, arching your body up like a cat…people literally were clutching their pearls.”

Visual Aid:
Stills or representations from “The Leopard’s Tail”, including costuming and movement sketches.

Interactive Element:
Reflection: Write about a time a work of art challenged your expectations. How did that discomfort aid your growth?

Chapter 6: Resistance, Barriers, and Building Legacy

Summary:
Unpacks the personal and institutional challenges of sustaining a Black-led ballet company, including racism, tokenism, underfunding, and stereotyping.

Subheadings:

• The Cost of Persistence: Youth, Ageism, and Doubt

• “We Don’t Need a Black Ballet Company”: Countering Gatekeeping

• Tokenism and the Problem with “Diversity Months”

• Personal Sacrifice and Community Philanthropy

Quotes:
“They would always call us when they wanted something for diversity only…why can’t you just call us because we do good work?”

Real-life Example:
Stories of being overlooked unless for Black History Month, and the economic/personal realities of building Ballethnic.

Interactive Element:
Exercise: List ways your own industry or community could move beyond diversity-as-tokenism to structural inclusion.

Chapter 7: Global Vision—Expanding Horizons

Summary:
Looks outward to the possibilities for global interconnection, cultural exchange, and sustaining the legacy for future generations.

Subheadings:

• Passing the Baton: Succession and Mentorship

• Travelling with Ballethnic: Collaborations and Teaching Abroad

• Incorporating Other Indigenous and Marginalised Dance Forms

• Towards a Universal Dance Language

Quote:
“When adults get bored or feel isolated, it’s because they lack things that stimulate…when you have things that excite you…it puts a certain energy in your body.”

Visual Aid:
Maps of Ballethnic collaborations and international workshops.

Interactive Element:
Prompt: Research a traditional movement or dance practice from another culture. What can you borrow or honour in your own creative work?

Chapter 8: Liberation Moves—The Personal as Political

Summary:
Offers reflective insights on dance and identity. Connects choices about hair, movement, and self-expression to broader acts of resistance.

Subheadings:

• From Assimilation to Freedom: Hair, Style, and Selfhood

• The Body as Site of Liberation

• Joy and Vitality Through Enduring Movement

• Legacy, Community, and the Future of Ballethnic

Quotes:
“One of the things…when we did that ballet Flyin’ West…I decided to liberate myself and I cut off my straight hair and just let my curls pop out.”

Visual Aid:
Portrait series: The “before” and “after” of assimilation and liberation for Black dancers.

Interactive Element:
Action Step: Write or draw your “liberation move”—an action that symbolises reclaiming your body, spirit, or identity.

Conclusion: The New Rhythm of Inclusion

Summary:
Recaps the necessity of re-centring the margins for the health and vibrancy of all arts communities. Ends with practical encouragement for readers to take the insights from Ballethnic’s legacy into their own creative or institutional endeavours.

Call to Action:

• Reimagine space and legacy in your own life and community.

• Support and participate in the movement for enduring, embodied inclusion.

• Visit, witness, and share the art forms lighting a path to a more equitable world.

Supplementary Material

• Resource list: Books, articles, and documentaries on inclusive dance, Black ballet history, and cultural activism.

• Reflection prompts and journaling spaces.

• Suggested imagery sourced from production archives (pending rights).

• Diagrammatic representations of movement principles.

Feedback and Refinement Process

• Circulate outline and chapter summaries to subject matter experts in dance, DEI, and cultural studies.

• Solicit sample reader impressions via focus groups.

• Revise outline for clarity, logical flow, and balance between memoir and manifesto.

Chapter Summaries

1. The Spark—Reimagining Ballet

Explores the origins of the creative impulse behind Ballethnic and the initial resistance to traditional ballet forms.

2. Breaking the Mould—The Practice of Difference

Examines how challenging ballet’s body politics and movement vocabularies opened space for authentic, joyful presence.

3. Technique and Identity—Form Meets Freedom

Analyses the practical blend of disparate dance styles and how new identities are forged through movement.

4. The Community Stage—Centre of Belonging

Highlights the transformative impact of radical inclusion on stage and in the audience.

5. The Leopard’s Tail—Performance as Protest

Focuses on a signature work that embodies the movement’s philosophy and serves as a means of artistic resistance.

6. Resistance, Barriers, and Building Legacy

Documents the perpetual struggle for equity, respect, and sustainability in an often hostile or indifferent arts ecology.

7. Global Vision—Expanding Horizons

Envisions a worldwide embracing of Ballethnic’s methods, values, and possibilities for mutual cultural growth.

8. Liberation Moves—The Personal as Political

Reflects on the importance of daily acts of resistance, liberation, and joy as routes to individual and collective well-being.

This outline provides a robust, reader-friendly pathway, distilling a wide-ranging, inspirational conversation into a book capable of shaping future dialogues about dance, identity, inclusion, and the creation of legacy.

Maxims for Centring the Margins and Igniting Inclusion

• Challenge tradition—transformation begins when you question established norms.

• Hold space for voices and bodies once silenced; create possibility where none was offered.

• Excellence is not limited by body type, background, or assigned identity.

• Tradition is a foundation, not a cage; blend old forms with new expressions to keep culture alive.

• The true measure of belonging is seeing yourself reflected on the stage and in the audience.

• Make joy, expression, and authenticity central to all forms of art and participation.

• Community thrives when every person can move, contribute, and be celebrated, regardless of age or ability.

• Representation is essential—it isn’t a trend or a monthly token but a constant presence.

• Lean into discomfort; growth emerges when you step outside the familiar and falter bravely.

• Leadership is legacy—empower those who follow to continue and expand the vision.

• Inclusivity means adapting teaching, performance, and space to diverse physical and neurodiverse needs.

• The collective story is richer when told from many voices, backgrounds, and creative forms.

• Financial and institutional equity must be pursued with the same passion as creative excellence.

• Success is measured not solely by applause but by the transformation of lives, both on and off stage.

• Let cultural pride and lived truth inform, rather than dilute, your contribution to the world.

• Always celebrate what makes you and your community unique—your difference is your strength.

• Stay curious and keep learning; lifelong stimulation is the antidote to stagnation and isolation.

• Move your body, at every age and ability—wellbeing and creativity are lifelong pursuits.

• When met with resistance, persist, adapt, and build bridges—innovation requires tenacity.

• Leave a legacy that inspires others to redefine boundaries and ignite inclusion for generations to come.

Centering the Margins | Ballethnic Dance, Black Excellence, and Redefining Ballet | Inclusion Bites Podcast Ep.204

Join Joanne Lockwood and guest Nena Gilreath, co-founder of Ballethnic Dance Company, as they unveil how ballet is being radically transformed to centre Black excellence, community, and authentic cultural expression. Discover powerful conversations about diversity in the arts, body inclusivity, and strategies for building belonging and legacy in traditionally exclusionary spaces.

⏩ Timestamps for Easy Navigation

• 00:00 Introduction to Inclusion Bites & today’s episode

• 01:15 Meet Nena Gilreath: Story behind Ballethnic Dance Company

• 06:06 The meaning of ‘Ballethnic’: Ballet meets ethnicity

• 09:45 Challenging ballet stereotypes: Bodies, culture, and belonging

• 17:24 Melding classical technique and African dance: Methods & innovations

• 22:23 Audience reactions: Joy, controversy, and cultural relevance

• 28:10 Broadening participation: Disabilities, abilities, and lifelong dance

• 35:05 Wellness, movement, and community for all ages

• 40:05 Global influences, fusion, and Ballethnic’s impact

• 46:51 Overcoming barriers: Racism, funding, and arts equity

• 57:35 Future vision: Expansion, legacy, and next steps

• 01:04:23 Where to learn more & connect with Ballethnic

• 01:08:28 Closing thoughts from Joanne Lockwood

🎥 Episode Summary

This episode of the Inclusion Bites Podcast shines a spotlight on how ballet can evolve into a space for authentic representation, innovation, and joy when those at the margins are truly centred. Nena Gilreath shares the inspiring evolution of Ballethnic Dance Company, a pioneering force for Black dancers and those traditionally excluded from classical ballet.

Key topics include:

• Redefining Ballet: How blending African dance forms with classical ballet breaks down historical and cultural barriers, making dance accessible and relevant to today’s communities.

• Body Diversity & Inclusion: Nena Gilreath challenges the 'ideal' ballet body and demonstrates how all sizes, ages, and backgrounds are welcomed, celebrated, and empowered (10:26, 12:23).

• Community Engagement: How Ballethnic's performances and teaching create intergenerational, multicultural spaces, leveraging dance as a tool for social mobility, wellness, and unity.

• Creative Innovation: Learn how productions like Leopard Tale and the Urban Nutcracker mix tradition with innovation to build new stories and reflect lived realities (18:28, 28:28).

• Barriers & Resilience: Insights into overcoming funding biases, societal prejudices, and the limitations of “diversity acts”—and moving towards being seen as integral to the arts (46:51).

• Strategies for Expanding Inclusion: Practical guidance for arts administrators, HR professionals, educators, and D&I leaders on how artistic spaces can open doors for marginalised voices.

This conversation offers both practical takeaways—such as methods for inclusive arts engagement—and philosophical inspiration, ideal for anyone seeking to ignite change and nurture belonging in their field.

📈 Why Should You Watch?

If you're passionate about arts leadership, inclusive cultures, community building, or simply want to understand how the creative industries can challenge convention and inspire collective action, this episode is essential. Joanne Lockwood and Nena Gilreath offer strategies and insights you can apply in daily work—whether you lead teams, manage arts programmes, or seek personal growth through movement and culture.

👉 Get Involved!

• Subscribe to Inclusion Bites for weekly updates on creating more inclusive cultures: Visit our podcast hub

• Like and comment below: How do you see the arts playing a role in inclusion in your context?

• Share this episode with fellow change-makers, dancers, educators, and advocates.

• Connect with Ballethnic Dance Company and follow [Nina Gilreith] on Instagram: @ninaleopardess

🔗 Related Content

• Watch our episode on Tackling Bias in the Creative Industries

• Learn more about building inclusive communities with Joanne Lockwood

Hashtags to Maximise Your Reach

#InclusionBites #Ballethnic #BlackExcellence #DanceInclusion #DiversityInTheArts #JoanneLockwood #CulturalInnovation #ArtsLeadership #CommunityBuilding #UrbanNutcracker #AfricanDance #BodyPositivity #Belonging #ChallengingTheNorms #SocietalChange #PodcastsUK #SEEChangeHappen

Transform your view of dance, challenge the mainstream—and help shape a future where everyone belongs both on and off the stage.

Redrawing the Lines: Why “Fitting the Mould” Is Overrated

Have you ever caught yourself wondering why – even after years of “diversity initiatives” – so many people on the margins still feel invisible or unheard? Inclusion isn’t simply about opening the door; it’s about re–designing the room, making sure everyone is reflected and uplifted by what they see. This challenge is at the heart of creating cultures where belonging is not a slogan, but a shared, lived experience.

This week’s Inclusion Bites Podcast episode, “Centering the Margins”, offers a window into what happens when you dare to break the rules and centre those who have always been expected to change themselves to fit in. For anyone grappling with how to move beyond token gestures to meaningful transformation, this conversation is the antidote to business as usual.

Privilege, Possibility, and the Power of Reimagining

In this episode, I’m joined by the indomitable Nena Gilreath, co-founder of Ballethnic Dance Company in Atlanta, Georgia. Her story is a masterclass in what happens when you refuse to squeeze vibrant lives into narrow traditions.

Together, we unpack everything from the Eurocentric roots of classical ballet – with its rigid body ideals and cultural gatekeeping – to the birth of ‘ballethnic’, a bold blend of ballet with Black and African dance traditions. We explore how Nena Gilreath, alongside her co-founder and husband, set out not just to diversify who gets to dance, but to redefine what ballet itself can be.

This conversation isn’t just relevant to D&I leads or HR professionals; it’s essential listening for anyone tasked with recruitment, development, or supporting wellbeing at work. It touches on lived experience, organisational change, and what it means to be truly innovative – not just in the arts, but in every sector obsessed with “culture fit.”

Breaking the Mould: Insights from Nena Gilreath

What struck me most was Nena Gilreath’s unapologetic approach to legacy and disruption. Here was a woman who’d literally stood in the wings during Swan Lake, asking herself: why is no one on this stage who looks like me? Why are certain bodies, stories, and movements always on the fringe?

Through Ballethnic, Nena Gilreath carved out space for dancers (and audiences) who had been historically excluded, blending classical technique with the community, rhythm, and joy of Black and world dance forms. It’s a living blueprint for “centering the margins” – taking what was once Other and making it the new norm.

From Inspiration to Action: Lessons to Rethink Inclusion

Every episode, I aim to bring you not just stories that move, but actions you can carry back to your own organisations. Here are a few of the most stirring insights from this conversation:

1. Expand (and Redefine) “Who Belongs”

   • It’s easy to list inclusion as a value, but true change means questioning who’s always been backstage. Like Nena Gilreath, ask: who isn’t here, and why? Invite input from those you rarely hear, and bring overlooked voices into decision-making on systems, not just events.

2. Challenge Body Norms and Skill Stereotypes

   • Traditional ballet favours a single body type and background – a mirror to many workplaces. Nena Gilreath’s refusal to enforce one aesthetic (from size to hair to culture) is a call to reward capability and potential, not just résumé “fit.” Who are you discouraging before they even apply?

3. Make Joy, Engagement and Accessibility Central

   • Inclusion is not merely an accommodation or concession; it’s an aesthetic – an energy that infuses every process, from recruitment to learning. Ballethnic’s performances are joyous, immersive, and accessible in a way conventional ballet never tried to be. Could your onboarding or L&D offer the same sense of belonging?

4. Shift the Narrative: From Celebration to Every Day Presence

   • As Nena Gilreath points out, marginalised work is often paraded during “heritage months” and then ignored. Ensure real representation is woven into daily processes – from panels to hiring, promotions, and supplier choices. Expecting excellence, not tokens.

5. Legacy as Collective Effort

   • Building enduring change is never a solo pursuit. Ballethnic’s intergenerational company, with dancers aged from 5 to 80+, offers a model for how to reimagine succession and institutional memory. As you look to the future, how are you ensuring new stewards are resourced, not just included?

Experience the Energy: A Snapshot from the Studio

Words can only do so much justice to the transformation at play. For a taste of the energy, creativity and rebellion behind Ballethnic, watch this minute-long audiogram, where Nena Gilreath and I dive into the symbolism, struggle and celebration of centring Blackness in spaces where it has long been marginalised.

Watch the Audiogram – A Moment of Movement (See the flair, hear the rhythm, and feel why the status quo is ripe for disruption.)

Ready to Reimagine Your Own Stage?

If this conversation set your mind racing as it did mine, I highly recommend listening to the full episode for a deep dive into the practice and philosophy of inclusion-without-limits.

Tune in here to listen to “Centering the Margins” wherever you get your podcasts.

Share this episode with your leadership team, your HR colleagues, or anyone who’s certain “culture fit” is the only way forward. Use it as a talking point in your next learning session. After all, change only happens when we dare to expand the guest list.

One Final Thought: Whose Truths Are Still Waiting in the Wings?

So, I leave you with this: What stories, talents or cultural traditions are still waiting in the wings at your organisation? How might you break the old moulds, and make space at centre stage for voices that were never meant to fit in, but to shine?

Let’s keep pushing the envelope on belonging – not as a buzzword, but as a bone-deep commitment to seeing, hearing, and celebrating everyone.

Until next time,

Joanne Lockwood
Host, Inclusion Bites Podcast
The Inclusive Culture Expert at SEE Change Happen

Keep connected and keep the discussion alive:

• YouTube – Inclusion Bites

• TikTok – SEE Change Happen

• LinkedIn

• Website

If you’re looking for an engaging speaker, bespoke training, or support in making inclusion real where you are, I’d love to connect at jo.lockwood@seechangehappen.co.uk.

Are you ready to stop standing on the side-lines and help re-centre the margins?

When the Margins Move to Centre Stage

“Why shouldn’t joy, freedom, and cultural truth claim a space in an art form long presumed reserved for an elite few?” That’s the question that echoes in my bones before every show, every rehearsal, and every conversation about the legacy and future of dance—and, perhaps more importantly, belonging. I’ve spent decades remoulding what ballet means—not just to me, but to my community—in defiance of every declared ‘should’, ‘must’, and ‘impossible’. This journey is not just about movement on stage; it’s about shifting what, and whom, we centre when we tell our stories.

Context: The Unyielding Power of Space and Legacy

When I’m approached to talk about Ballethnic and our origins, the conversation is rarely just about choreography or aesthetics. It’s a deeper reckoning with habit, history, and who holds the pen when narratives are written and performed. For me, dance has always been a political act—a form of living archive, rebellion, and healing that speaks in ripples through time.

This matters personally because, for much of my career, I was the dancer standing on the edge—literally and figuratively—witness to the sharp relief between the centre and margins in ballet’s world. I wanted to know: what is possible when the footlights follow those never meant to lead? My life’s work now is to ensure that question is never rhetorical—and that the answers generate space, legacy, and possibility for those once relegated to the wings.

Recently, Joanne Lockwood of the Inclusion Bites Podcast hosted me for a conversation that was as textured, candid, and challenging as my thirty years building Ballethnic. Joanne Lockwood is no stranger to difficult conversations; as the founder of SEE Change Happen, she’s globally recognised for championing inclusive cultures and igniting organisational transformation. Her approach is probing, compassionate, and uncompromising—qualities essential when the topic is ripping up old blueprints for a fairer, richer creative landscape.

More than [INSERT_VIEW_COUNT] people have already watched our interview on YouTube, with many more tuning in via Spotify and Apple Podcasts.

If this conversation sparks something for you—questions, pushback, or agreement—I’d love to hear your thoughts in the comments below. I read every one.

Shattering the Pliés and Myths: Where Ballethnic Was Born

Ballethnic is not simply a fusion of ballet and ethnic dance; it is an act of invention where tradition’s boundaries are purposefully transgressed. Classical ballet—my first discipline—taught me rigor, system, and the power of collective discipline. It also taught me, early, what it feels like to be excluded not just by accident, but by design.

“Traditional ballet is very white, very colonial, kind of old school European,” Joanne Lockwood pointed out with characteristic directness. She wasn’t wrong. The stages of the 1980s and 90s, in Atlanta and far beyond, were constructed for a certain aesthetic, body, and narrative—a swan’s neck and a rigidly corseted world where arms and legs elongated endlessly but the story almost never did.

What sparked Ballethnic was boredom—but of the revolutionary kind. My late teens were spent standing at the sides, waiting for a turn that moved only in proscribed lines. Repetition is its own tyranny: “Once you get to that level of knowledge and proficiency, what’s next?” My answer: blow up the mould. Why couldn’t we blend the structure I loved—the replicable, buildable system of ballet—with the movement, joy, and polyrhythm of African dance and R&B?

It didn’t stop at movement. Joanne Lockwood observed, “What defines a ballet body?” For us, it became abundantly clear: a ballet body is any body that can carry, move, and inhabit the rhythm and story. We defied every prescriptive norm—size, phenotype, cultural background—placing all bodies on stage, visible, stirring, and unapologetically present. The result? Sometimes resistance (from critics, from inside the community, even from ourselves), but more often awe and recognition. Dancers and audiences alike could finally see themselves—booty, boobs, hips, and all—in a tradition that was once hermetically sealed.

Choreographing Joy, Power, and the Full Range of Humanity

What happens when you introduce R&B and soul to rigid five positions? When you let a dancer’s shoulders undulate and their torso ripple like water atop pointe shoes? You don’t just change physical expression; you liberate spirits.

There’s a reason why people would gasp as we arched, turned our backs to the audience, and presented bodies full of life and curve. “Part of the attraction is moving your body, arching your body up like a cat,” I shared, describing our signature ballet, The Leopard Tale. For some, this provoked horror; for others, jubilation.

Joanne Lockwood and I had great fun exploring how these stylistic differences reflected larger cultural truths: “Ballet is often expressionless, very straight faced… I’m guessing you’re really living that in your facial expressions as well?” Absolutely. When joy is the motive force, it must show in the eyes, the smile, the very fibre of the body. Traditionalists often found this destabilising; they’d been trained, consciously or not, to check emotion at the door. But for our community, the exuberance and immersion were revolutionary.

What many missed is that this liberation wasn’t just for show—it was a pathway to inclusion. We crafted ballets where audience members, regardless of their previous relationship to dance, not only saw themselves but felt compelled to move. One of my deepest rewards has been watching generations of families attend our productions, seeing not only dancers who look like them but stories and soundtracks that resonate on a cellular level.

Inclusion Beyond the Narrative: Who Gets to Move, and Why

Inclusion isn’t an abstract—nor a tickbox. It is a muscle, exercised and trained. We’ve had dancers of every hue, nationality, and ability grace our stage. Our ballets aren’t just a mirror to the city’s Black community; they’re open to every person previously told “no”. As Joanne Lockwood shrewdly asked, “Has it had an impact in allowing people with physical disabilities, with maybe learning disabilities, such as Down syndrome, other people able to take part in their own way?”

It absolutely has. We’ve welcomed neurodivergent dancers, and young people whose challenges led some studios to close their doors, weaving new pedagogy to ensure their artistry is nurtured, not sidelined. Inclusion, done properly, requires instructors to grow, to unlearn and remake—always in service of the larger, more complex community body.

Our oldest performers are in their eighties; our youngest barely out of nursery. Movement endures. My own mentor, Moselle Spriggs, is nearing 100 and still an advocate for dance as sustenance—for body, mind, and spirit. To move is to resist the isolations of ageing, the constraints of expectation; every rehearsal is protest and celebration.

Dance, like community, asks not that you be perfect—but present.

Storytelling as Reclamation: New Narratives, New Audiences

Much of what we do is grounded in the creation of original narratives—ballets that don’t merely restage Swan Lake but invent The Leopard Tale, the Urban Nutcracker, Jazzy Sleeping Beauty, and more. It’s not enough to diversify the cast; the canon itself must be uprooted, rewritten.

With the Urban Nutcracker, for instance, we reimagine the tale on Atlanta’s Sweet Auburn Avenue—and centre characters like Brown Sugar (because why settle for Sugar Plum Fairy when you can have “the sweetest sugar of all”?) and Big Mama, who narrates the story and welcomes newcomers. This is not mere window-dressing for diversity, but a full-throated reclamation of whose stories get staged, and whose traditions are worthy of celebration.

Joanne Lockwood captured the difference: “You’re almost leading the entertainment, but the audience becomes part of that whole movement.” That’s the aspiration—a production so immersive that watcher and watched blur, and inclusion is practised rather than performed.

But I cannot romanticise the labour. Thirty-five years in, the obstacles are as real as ever: “People will always give my… Waverly the cheque. But I’m the one who took care of the money.” Misogyny, racism, the glass cliffs of arts funding—barriers abound. I’ve seen audiences, boards, and sponsors treat our work as worthy only on ‘diversity days’, only as a special act, never as the base note.

Which is why we work to make ourselves indispensable—to broaden our audience, partner globally, and embed our practices in cross-cultural contexts, from Amsterdam to Tanzania to Canada. The message is insistent: this is not a side-show, and inclusion is not for one month a year.

Sustaining Legacy: Building Space, Funding Freedom, Succession

My driving question now is not “how do we survive?” but “how do we hand over a thriving institution?” Legacy is about more than archiving old costumes or digitising VHS tapes. It’s the power to own our buildings (we do), to shape our neighbourhood (Ballethnic Way, no less), and to see our alumni step into leadership and creative roles.

We are on the cusp of global partnerships—expanding our approach to embrace the indigenous, Pacific, and Maori traditions. The more I learn, the more I see possibilities—in the polyrhythm of African drums, the storytelling of First Nations, the groundedness and lift combined.

But sustaining this legacy demands funding commensurate with our ambition. We want the next generation to inherit more than ‘resilience’; they deserve tools, support, and respect. And I intend, as I pass the baton, to make sure they’re equipped for the centre, not the edges.

Rooted in Freedom, Dancing Towards Joy

If I’ve learnt anything, it’s this: the centre is not a place; it’s a practice. The culture of belonging we’ve fostered isn’t happenstance. It’s crafted every day—by expanding the narrative, by naming and dismantling exclusion, by celebrating the liberation of form and spirit. “You’re hitting on so many points…” Joanne Lockwood remarked, noting that for us, storytelling is about surfacing the truth in each dancer and audience member, whatever their origin.

We’ve lived—sometimes paid a steep price for—the belief that everyone, regardless of shape, age, or ability, can participate and create. “Why shouldn’t we imagine ballet with rhythm, hips, joy—and bold, black hair let free?” I asked myself, not rhetorically, before my curls were liberated from decades of salon straightening. If you want to know how radical inclusion feels, look for the stage where dancers’ hair, bodies, and voices are finally allowed their full amplitude.

This is how we keep moving the margins ever closer to the centre. This is how the future is made—in music, in motion, and above all, in belonging.

[Title
Centering the Margins]

[Synopsis
Episode 204 — Inspired by “Centering the Margins,” this lyric charts the journey of breaking ballet’s moulds and reclaiming joy for every body, culture, and age. Rooted in Nina Gilreith’s pioneering vision with Ballethnic, it finds power in vulnerability, community, and defiant self-expression. Set to a warm, driving indie pop groove, it’s a song about dancing whole — and making space for everyone to move.]

[Vibe
Acoustic guitar and subtle piano set a contemplative verse, with spacious pads and muted percussion building energy. The pre-chorus adds harmonies, inviting subtle strings. Chorus lands punchy, melodic, and bright, with layered vocals and steady drums. Bridge strips back to guitar/pad, gentle harmonies and open emotion, then builds into a fuller, anthemic final chorus. Fade out lingers on fingerpicked guitar and atmospheric synth, voices trailing with hope.]

Lyrics

[Verse 1]
These halls were built for symmetry,
Straight spines, tight smiles, all clean lines.
But in the corner, hips are humming —
Movements rising that won’t align.
We learned how to blend in,
But this soul won’t play small;
Pressed petals, held breath,
We cracked open the frame on the wall.

[Instrumental break: soft guitar, atmospheric pads]

[Verse 2]
It wasn’t only mine to carry,
History’s hand shaping body and sound.
But I’m more than someone’s notion
Of how a dancer should move around.
Ballet bodies? — I see full thunder,
Shapes untameable, fierce and free.
Watch the curtain lift on every colour,
Watch us breathe new life into legacy.

[Pre-Chorus]
Who gets to write the grace notes,
Dress joy in one design?
I’m done with shrinking in the wings —
This is our opening line.

[Chorus]
We’ll centre the margins,
Let every story dance.
Feet on ground, arms to sky,
No more asking for a chance.
If you feel out of place,
This rhythm’s yours to claim —
Centre the margins
And let them say our names.

[Instrumental: gentle drums join, subtle bass, layered harmonies]

[Verse 3]
Old world said “one company only”,
Tradition counting who’ll belong.
But we move for more than legacy —
We build where we’ve been shut out too long.
Children, elders, all invited —
Every leap, every line we bend,
We gather in the circle,
And let the dance begin again.

[Bridge]
Wasn’t made to blend in quietly,
Never meant to bow for show.
We spin, we shake, we laugh too loudly —
Blooming wild where we grow.

[Final Chorus (Lifted & Layered)]
So centre the margins,
Raise every hidden voice.
The ones who got called “too much”,
The ones who made different noise.
If you’re searching for your place,
You will find it when you move —
Centre the margins now,
We’re rising, breaking through.

[Instrumental fade out: acoustic guitar arpeggios, vocal echoes (“centre the margins…”), synths shimmering, soft percussion melting away.]

[Artistic direction
Keep the vocal performance intimate but proud, foregrounding truth and vulnerability. The chorus should be inviting and anthemic. Production honours the acoustic roots but adds lift as the song progresses. The bridge is honest, slightly raw, before building to the highest emotional point in the final chorus. Let the fade remind listeners that this is an ongoing movement — a gentle call to belong, always.]

In the Inclusion Bites podcast episode "Centering the Margins," Nena Gilreath, co-founder of Ballethnic, reveals how blending ballet with African and ethnic dance creates a platform for Black excellence, new narratives, and authentic belonging. Instead of replicating Western ballet’s rigid standards, Ballethnic celebrates diverse bodies, stories, and cultural truths.

Here, "centering the margins" means challenging exclusion, redefining norms, and building systems where marginalised people can thrive in the arts.

1. The Problem: Exclusion as Status Quo

Traditional ballet is:

• Rooted in eurocentrism and elitism

• Narrow in its physical and aesthetic standards—restricting body type, movement, and who gets to participate

• Exclusionary in practice: communities of colour often see little representation or cultural relevance in mainstream ballet

2. The Ballethnic Model: Integration & Innovation

[Key Concept]: Centre the Margins

• Intentional blending: Merge classical ballet technique with African/ethnic dance forms. Create a new genre showcasing the beauty and power of Black identities.

• Accessible stories: Performances reflect lived experiences of Black and multicultural communities. Example: "The Leopard Tale" and "Urban Nutcracker" reinterpret canonical works with African American culture.

• Body diversity: All sizes, shapes, and ages are championed on stage—disrupting the myth of the "ballet body."

• Expressive freedom: Use of full-body movement, live drumming, facial expression, and joyful undulation enhances audience connection.

3. Inclusion in Practice: A Holistic Model

• Community participation: Ballethnic includes people from age 5 to 80+, participants with disabilities, and older dancers—viewing dance as lifelong, accessible, and health-promoting.

• Breaking silos: Not limited to Black performers—talented dancers from any background, including Korean, Thai, and others, are included if they embody the style.

• Audience expansion: By making content meaningful to local cultures, Ballethnic broadens and diversifies the ballet audience, building intergenerational traditions.

4. Barriers & Systemic Challenges

• Initial scepticism over youth and resilience

• Resistance from established institutions—persistence of gatekeeping, funding inequity, stereotyping, and tokenism ("We want you for Black History Month, not year-round.")

• Business acumen and leadership bias—gendered assumptions about who handles finances and direction

5. Lessons in Legacy: Impact & Sustainability

• Succession: Training younger generations in leadership to sustain the movement

• Archiving: Preserving community stories for history and global reach

• Transference: The model is being shared internationally and could expand to include new cultural blends (Pacific Island, Aboriginal, etc.)

Summary Table: Inclusion through Ballethnic

Key Takeaway: Inclusion is an intentional re-centring of the arts—where aesthetics, power, and participation shift from the margins to the heart of the field. Belonging and authentic expression are fostered when we disrupt outdated norms and create space for all to thrive.

204,Centering the Margins,,,,,,,,Joanne Lockwood,Nina Gilreith,"Discover how Ballethnic’s unique fusion of classical ballet and African dance challenges elitism and reimagines inclusion for all bodies and communities.","In this episode, Joanne Lockwood talks with Nina Gilreith, co-founder of the Ballethnic Dance Company, which has spent over three decades reshaping the landscape of ballet by centring Black excellence, belonging, and cultural authenticity. Nina reflects on her journey from traditional classical ballet, confronting rigid norms and exclusionary practices, to creating a space where dancers of all backgrounds, sizes, abilities, and ages are not only welcomed but celebrated.

Listeners will learn about the origins of Ballethnic’s distinctive style, blending classical ballet technique with African and other culturally grounded movement, music, and storytelling, transforming both the performances and the audiences engaged. Nina shares powerful narratives of community-building, legacy creation, and challenging stereotypes within the arts world, highlighting the refusal to be relegated to ‘diversity’ corners and instead demanding equal recognition and resources.

The discussion delves into the importance of liberating both body and spirit, resisting limitations around identity, and fostering intergenerational participation and audience immersion. Practical barriers, such as lack of funding and societal prejudice, are explored alongside the persistent strategies Ballethnic uses to create enduring institutional and cultural change.

Ultimately, the episode offers an inspiring look at dance as a vehicle for social transformation, wellbeing, and lasting inclusion.",,,,,Lived Experience & Identity,"Belonging,Authenticity,Change & Transformation,Community & Connection,Resilience","Race & Ethnicity,Disability & Access",Lived Experience Stories,"E204 – Centering the Margins",,"'E204 – Centering the Margins | Discover how Ballethnic’s unique fusion of classical ballet and African dance challenges elitism and reimagines inclusion for all bodies and communities. | In this episode, Joanne Lockwood talks with Nina Gilreith, co-founder of the Ballethnic Dance Company, which has spent over three decades reshaping the landscape of ballet by centring Black excellence, belonging, and cultural authenticity. Nina reflects on her journey from traditional classical ballet, confronting rigid norms and exclusionary practices, to creating a space where dancers of all backgrounds, sizes, abilities, and ages are not only welcomed but celebrated.

Listeners will learn about the origins of Ballethnic’s distinctive style, blending classical ballet technique with African and other culturally grounded movement, music, and storytelling, transforming both the performances and the audiences engaged. Nina shares powerful narratives of community-building, legacy creation, and challenging stereotypes within the arts world, highlighting the refusal to be relegated to ‘diversity’ corners and instead demanding equal recognition and resources.

The discussion delves into the importance of liberating both body and spirit, resisting limitations around identity, and fostering intergenerational participation and audience immersion. Practical barriers, such as lack of funding and societal prejudice, are explored alongside the persistent strategies Ballethnic uses to create enduring institutional and cultural change.

Ultimately, the episode offers an inspiring look at dance as a vehicle for social transformation, wellbeing, and lasting inclusion.'",