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Music
00:00:00 - 00:01:32
Sabbath Money. Foreign.
ana gil
00:01:38 - 00:01:43
Hello, everyone and welcome to Building Blocks. My name is ana gil and I'm Fuljens Henry.
Fuljens Henry
00:01:43 - 00:01:45
Happy Wednesday, everybody.
ana gil
00:01:45 - 00:02:10
Yeah. Today we're going to be teaching you different ways that you can use automated scenes. And if you don't know what automated scenes are, we're going to explain all of that to you so that you are a master at it. Because automated scenes are so such a powerful feature and not a lot of people use it. So we're going to teach you different ways, different use cases that you can apply it in your productions to streamline it, make it easier for you and all that good stuff.
Fuljens Henry
00:02:10 - 00:02:36
Definitely, definitely. There's so many different ways you can use your automated scenes and we have a few use cases for you of ways that we've used them in the past, both in in person production and home studio productions and live streaming productions. Live streaming productions. And of course, we'll build some blocks with you all today too as well. Like we'll create some type of automated ECAMM updates, automated scenes for you all.
ana gil
00:02:36 - 00:03:04
And as you get inspired, please feel free to. To add your inspiration so that we can try it. And speaking of inspiration, last Wednesday we were, we were doing the animated overlays and Stephen took our challenge and he created some things and with some tweaks. It looks awesome. Yeah, it looks awesome. Good job. Steve, you're here. So let's check it out so the family can see it.
Fuljens Henry
00:03:04 - 00:03:04
Let's check it out.
ana gil
00:03:04 - 00:03:06
See if you can pick it up.
Fuljens Henry
00:03:09 - 00:03:15
Oh, come here. Hey again.
Steven Lippman
00:03:15 - 00:03:59
Ecamm fam, this is Steven Lippman, and if you saw my last feedback video that I dropped into the community with my my 3D slowly revolving moon, courtesy of Anna and Fulgen in Building Blocks. Here's the update. So Anna responded saying that wouldn't it be cool if it was sort of hovering over a base? So I kind of put a base underneath it and now I have the moon rotating over that. So I'm hoping that Anna will be happy with the result. If not, I'm still open to other suggestions. Anyways, just want to give you the update. I will see you again soon. Take care.
ana gil
00:03:59 - 00:04:04
That's right. Great job. That is awesome. That looks. That looks like.
Fuljens Henry
00:04:05 - 00:04:10
Like, who would know? Who would know that? You know that's an animated overlay back there, right?
ana gil
00:04:10 - 00:04:14
I wonder if Stephen's gonna get comments like, what do you get, guy? Love it.
Fuljens Henry
00:04:14 - 00:04:18
Right? Right. What's. Can you send me the Amazon link for that?
ana gil
00:04:20 - 00:04:32
So anyway, for those of you who did not catch that, that Was last. Last Wednesday, last episode on how to create animated overlays. Folgens created a fire on my hair.
Fuljens Henry
00:04:33 - 00:04:44
The candle back there. There's a candle back there. So we animated the flame and we also animated the light bulb as well. So little things like that that you won't even really, really notice.
ana gil
00:04:44 - 00:04:47
But it was good. It's good because he took it to the next level.
Fuljens Henry
00:04:47 - 00:04:48
He took it to the next level. Yeah.
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